Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
Twenty-one
At every awakening, every morning – a reluctant awakening, which might also be described as lazy – this gentleman begins the day with a rapid inventory of the world. He realized some time ago that he always awakens in a different point of the cosmos, even if the earth, the capsule in which he dwells, does not look extrinsically modified. As a child he was convinced that the movements of the earth through space direct it from time to time into the near vicinity or even through the interior of hell, whereas it is never permitted to pass through paradise, since that experience would render all further continuance of the world impossible, superfluous and ridiculous. So paradise must avoid the earth at all cost, so as not to wound Creation’s plans, which are meticulous and incomprehensible. Even now – as an adult man who drives and owns an automobile – something of that childhood hypothesis has remained with him. By now he has cast it in slightly more secular terms, and the question he asks himself is more metaphoric and apparently detached: he knows that while he sleeps the whole world moves – as dreams demonstrate – and that every morning the pieces of the world, no matter if involved in a game or not, are arrayed differently on the board. He claims no right to know what this shift may mean, but he knows that at times he can feel the presence of abysses, the temptations of sheer cliffs, or rare, long plains on which he’d like to roll – there are times when he comes to see himself as a spherical celestial body – on and on. There are moments, too, of confused impressions of grasses, and as well of the exciting but not infrequently unpleasant sensation of being illumined by several suns, suns not always reciprocally friendly. At other times, he clearly hears the sound of waves, sent by either storm or calm; and on occasion he is brutally reminded of his own position in the world: for example, when cruel and attentive jaws take him by the back of the neck, as must have happened countless times to doomed and exhausted forebears between the teeth of beasts whose faces they never saw. He learned some time ago that you never wake up in your own room: he has concluded in fact that there are no such things as rooms, that walls and sheets are illusions, a fakery; he knows that he is suspended in the void; that he, like every other person, is the centre of the world, from which infinite infinities radiate. He knows he could not hold his own in the face of so much horror, and that the room, and even the abyss and hell, are inventions intended to defend him.