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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

It was frequently the case at this time that Concetta’s dainty shoes, and those of her sisters as well, were down-at-heel. I would notice this when she was kneeling in church. I could not see her eyes, but I knew that they would be directed towards the altar like two tiny larks taking flight towards the sun. Concetta had numerous sacred images, given to her by the nuns, and she would spend all day in contemplation of them. One of these showed a graceful young novice, no longer wearing the habit of a nun but bedecked in exquisitely brocaded vestments, extending her hand towards an affable-looking, chubby-cheeked infant who, given the golden aura that crowned his head, was none other than the Baby Jesus. With a loving smile he was placing a gold wedding ring on her plump index finger; while, suspended above them, an angel in a tunic covered in precious gems was depositing a garland on her head. In another image there was an extremely tall colonnade covered with unfolding edifying scenes, in front of which a humble nun was holding the hand of the Lord of Heaven. A venerable old man dressed as splendidly as a Pope was witnessing these nuptials, gently urging the little virgin with a gesture towards her spouse. The nuns would explain to Concetta that the precious colonnade in the background was nothing less than the entrance to the ‘mansion’ (for they were prone to express themselves in such terms) – the mansion into which she would be welcomed as a young bride. Churches, explained the nuns – even those cathedrals glittering with mosaics – are merely God’s houses on earth. Imagine then what His heavenly mansions must be like in comparison. The floors are carpeted with meadows of flowers, but these flowers are made of precious stones. In the gardens, angels with the wingspan of eagles fly about instead of birds, producing a melodious sound with the beating of their wings. Life passes there with continuous music, dances and smiles of love. Angels hidden amongst the trees, like shepherds, sing the praises of the young bride. Others bring her regal vestments, others still slip elaborately decorated sandals on to her feet. She needs only to raise a finger and the whole of paradise will fall silent and listen to her.

Concetta glowed with pride on hearing such promises; every day she would flee her home to visit the nuns, and as soon as she came of age she entered the convent. I was out of town at the time, so was not present when she took her vows, in a ceremony that her mother and sisters refused to attend. When I returned, her sisters whispered to me a warning that she was never to be spoken of again in front of her mother; Angela had sworn that, as far as she was concerned, her daughter had ceased to exist. She did mention her to me, on just one occasion. She placed a hand on her heart, and with dark eyes and the portentous tone of someone about to pronounce an anathema, she said: ‘My whole heart was devoted to that daughter of mine; and now, where my heart used to be, there is nothing but stone.’ Then she flung a glance of haughty commiseration in the direction of her other two daughters, who were both short and stout, with lank hair and thick, coarse hands.