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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘A fetishist? What’s that supposed to mean?’

‘Someone who, like you, loves not only the person but also the things around her. For example, the door of the bank where I work.’

‘What are you talking about?’

‘I’ll tell you what. Two weeks ago, at eight-thirty in the morning. How many pictures did you take? I’d say at least twenty.’

‘I can’t hide anything from you. Who are you? The devil?’

So began our story that, in the end, filled the newspapers with bold headlines. There’s no sense in my telling you how the robbery took place. It was a ‘classic’ of the genre, according to reporters. If you want to know how it went, you can check the crime pages of that year’s newspapers. Nor do I want to tell you the prominent part that I played. It would be dangerous for me, since there’s been no further mention of it in the papers. For my colleagues at the bank, I am still the same old Miss Dutiful. The only thing I’d like to add is that the robbery took place in the early afternoon, when there are only a few employees and the bank is closed to customers. It was about four o’clock and I had escaped from home, right after the usual love-making with my husband. And with just an hour to spare before the children came home from school. I had to wait, at the wheel of the classic stolen car, on a solitary street, for my gangster and his buddy to arrive right after the robbery. Well, wouldn’t you know it? Despite my palpitations, the usual fatigue made me fall asleep at the wheel, in an amazing, invincible, blessed sleep. In sleep I took part in the robbery in my own way. I dreamt I was locked in the vault of the bank and then, all of a sudden, my gangster opened it and I, with a cry of joy, fell into his arms. But at that same moment, voilà, he was waking me up, shaking me by the arm, cursing between his teeth. Immediately, like a robot, without even looking around, I started the car and we took off.

After the robbery we didn’t see each other again for six months. He didn’t want us to. He said that the police were definitely enquiring into the life of every employee of the bank. We did, however, agree that after these six months, I would go and live with him, turning myself from Miss Dutiful to Machine-Gun Mama, or a similar moniker that, without a doubt, my former co-workers would give me, with a snicker, as soon as they found out.

So I resumed my usual life, shuttling between home and the bank. On one such day, I realized I had run out of cologne. That same afternoon I drove my husband to the airport. He was going to Cagliari on a business trip. On my way back I remembered the cologne and so I stopped the car on a suburban street, in front of a cosmetics shop named after the Parisian perfume house that made my cologne. The moment I entered, I was bedazzled by the gleaming of the many decanters, phials and teardrop-shaped bottles of eau de toilette and lotions lined up in glass cabinets against every wall. So for a moment I didn’t notice my gangster. Standing behind the counter, he was helping a middle-aged customer who wanted some rare shade of lipstick. My gangster had various little tubes scattered on the counter between himself and the customer. And as he gradually uncapped one and then the other, and rubbed a tiny smudge on the back of his hand, he enlarged the mark with his thumb and then showed it to the customer, speaking with her at length all the while, softly, gently, patiently. But the customer would look and then shake her head: it still wasn’t the shade she was looking for.