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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Unglued and diligent, from eight in the evening until six in the morning I am the perfect beautiful young wife of an older judge; from six in the evening until nine at night the perfect stepmother to the judge’s two children by his first wife; and from eight-thirty until one-thirty the perfect bank clerk. Why do I keep this schedule? Because there is no time in my life except for the time I see on my watch; all the other times are off-limits to me. Every day I get up at six, wash and dress myself, wake the children, help them to wash and get dressed, and I then prepare breakfast for everyone. After that my husband leaves in his car. First he’ll drop the children off at school, with the nuns, where they are day students. Then he’ll drive to the courthouse. I walk to the bank, not far from home. At the bank, so serious and diligent that my colleagues jokingly call me Miss Dutiful, I keep myself busy until one-thirty. Then I walk back home. The part-time maid has already done the shopping from a list that I prepare every night before turning in. I go to the kitchen, open up bags and boxes, turn on the burners, and prepare a light lunch for my husband and me. My husband arrives. We sit down at the table. After eating I wash the dishes and put everything back in its place. Then we move to the bedroom. It’s time to make love, and my husband likes it at that hour because at night he’s too tired. At four o’clock he leaves and a few minutes later the children arrive. Without taking a break, I prepare a snack for them, watch TV with them, help them do their homework, cook them dinner, put them to bed. By now it’s eight o’clock and my husband arrives home. He sits down to read the newspaper. I run to the bedroom, put on a fancy dress, put on my make-up, fix my hair, and then we go out to dinner at a restaurant or a friend’s house, and then to the cinema. At this point, however, I collapse because, for years, I’ve been losing about two hours of sleep a day. So I doze off wherever I happen to be: at the dinner table, at a restaurant, in my seat at the cinema, next to my husband while he’s driving the car. Do I love my husband? Let’s just say that I’m fond of him. Besides, I don’t have time for thoughts like this.

And yet, despite this life as Miss Dutiful, I don’t stick to the things I do. I always feel, as I said, unglued. By the way, I said that my other side of the moon is unknown not only to others, but also to me. That’s not exactly true: if you know how to read it, this unknown side can be inferred from my facial features. I’ll describe myself, you be the judge. I’m blonde, tall and thin, with a slightly Germanic face, like the ones that peer out from the niches of old gothic churches. I have a triangular face, with the wide part that is my forehead, hard and bony, and the pointed part, my chin, which is fleshy and soft. I have an aquiline nose and thin lips, both of noble design. But my ugly eyes, a washed-out blue, counter the severe nobility of my face, with a gaze so sullen it’s frightening. My eyes have a fleeting, furtive, cold expression, as if lying in wait, like the gaze of an animal that will bite at the first chance.