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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

A week earlier, she had gone with her aunt to an optician on Via Roma. There, in that elegant shop, with its polished tables and a marvellous green reflection pouring in through a blind, the doctor had measured her sight, making her read many times, through certain lenses that he kept changing, entire columns of letters of the alphabet, printed on a card, some as big as boxes, others as tiny as pins. ‘This poor girl is almost blind,’ he had said then, with a kind of pity, to her aunt, ‘she should no longer be deprived of lenses.’ And right away, while Eugenia, sitting on a stool, waited anxiously, he had placed over her eyes another pair of lenses, with a white metal frame, and had said: ‘Now look into the street.’ Eugenia stood up, her legs trembling with emotion, and was unable to suppress a little cry of joy. On the pavement, so many well-dressed people were passing, slightly smaller than normal but very distinct: ladies in silk dresses with powdered faces, young men with long hair and bright-coloured sweaters, white-bearded old men with pink hands resting on silver-handled canes; and, in the middle of the street, some beautiful automobiles that looked like toys, their bodies painted red or teal, all shiny; green trolleys as big as houses, with their windows lowered, and behind the windows so many people in elegant clothes. Across the street, on the opposite pavement, were beautiful shops, with windows like mirrors, full of things so fine they roused a kind of longing; some shop boys in black aprons were polishing the windows from the street. At a café with red and yellow tables, some golden-haired girls were sitting outside, legs crossed. They laughed and drank from big coloured glasses. Above the café, because it was already spring, the balcony windows were open and embroidered curtains swayed, and behind the curtains were fragments of blue and gilded paintings, and heavy, sparkling chandeliers of gold and crystal, like baskets of artificial fruit. A marvel. Transported by all that splendour, she hadn’t followed the conversation between the doctor and her aunt. Her aunt, in the brown dress she wore to Mass, and standing back from the glass counter with a timidity unnatural to her, now broached the question of the cost: ‘Doctor, please, give us a good price … we’re poor folk …’ and when she heard ‘eight thousand lire’ she nearly fainted.

‘Two lenses! What are you saying! Jesus Mary!’

‘Look, ignorant people …’ the doctor answered, replacing the other lenses after polishing them with the glove, ‘don’t calculate anything. And when you give the child two lenses, you’ll be able to tell me if she sees better. She takes nine diopters on one side, and ten on the other, if you want to know … she’s almost blind.’

While the doctor was writing the child’s first and last name – ‘Eugenia Quaglia, Vicolo della Cupa, at Santa Maria in Portico’ – Nunziata had gone over to Eugenia, who, standing in the doorway of the shop and, holding up the glasses in her small, sweaty hands, was not at all tired of gazing through them: ‘Look, look, my dear! See what your consolation costs! Eight thousand lire, did you hear? A grand total of a good eight thousand lire!’ She was almost suffocating. Eugenia had turned all red, not so much because of the rebuke as because the young woman at the cash register was looking at her, while her aunt was making that observation which declared the family’s poverty. She took off the glasses.