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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

But is the sight of another’s suffering ever enough to open a man’s eyes? Instead, it takes the sweat of agony, the bitter pain that comes as we awake, lives with us as we walk the streets, lies beside us through sleepless nights, always raw and pitiless, covering us with shame.

Dawn broke wet and cloudy. The avenue was still deserted as I wandered back to the hotel. I saw Cilia and the landlady quarrelling on the stairs, both in their nightclothes. Cilia was crying. The landlady, in a dressing gown, gave a shriek as I went in. Cilia stood motionless, leaning on the handrail. Her face was white with shock, her hair and her clothes in wild disorder.

‘Here he is!’

‘Whatever’s going on here, at this time in the morning?’ I asked harshly.

The landlady, clutching her bosom, started shouting that she had been disturbed in the middle of the night because of a missing husband; there had been tears, handkerchiefs ripped to shreds, telephone calls, police enquiries. Was that the way to behave? Where did I come from?

I was so weary I could hardly stand. I gave her a listless glance of disgust. Cilia had not moved. She stood there breathing deeply through her open mouth, her face red and distorted. ‘Cilia,’ I cried, ‘haven’t you been to sleep?’

She still did not reply. She just stood there, motionless, making no attempt to wipe away the tears that streamed from her eyes. Her hands were clasped at her waist, tearing at her handkerchief.

‘I went for a walk,’ I said in a hollow voice. ‘I stopped by the harbour.’ The landlady seemed about to interrupt me, then shrugged her shoulders. ‘Anyway, I’m alive, and dying for the want of sleep. Let me throw myself on the bed.’

I slept until two, heavily as a drunkard, then I awoke with a start. The light in the room was dim, but I could hear noises in the street. Instinctively I did not move. Cilia was there, sitting in a corner, looking at me, staring at the walls, examining her fingers, jumping up now and then. After a while I whispered cautiously: ‘Cilia, are you watching me?’ Swiftly she raised her eyes. The shattered look I had seen earlier now seemed engraved on her face. She moved her lips to speak, but no sound came.

‘Cilia, a husband shouldn’t be watched,’ I said in a playful voice like a child’s. ‘Have you had anything to eat today?’ The poor girl shook her head. I jumped out of bed and looked at the clock. ‘The train goes at half past three,’ I cried. ‘Come on, Cilia, hurry! Let’s try to look happy in front of the landlady.’ She did not move, so I went over and pulled her up by her cheeks.

‘Listen,’ I went on. ‘Is it because of last night?’ Her eyes filled with tears. ‘I could have lied, said I had got lost, smoothed things over. I didn’t do that, because I hate lies. Cheer up! I have always liked to be alone. Still, even I,’ and I felt her give a start, ‘even I haven’t enjoyed myself much at Genoa. Yet I’m not crying.’