Back The Ways We Hide
Chapters (102)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. 1942
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. 1928
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. 1943
  34. Chapter 27
  35. Chapter 28
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Chapter 56
  64. Chapter 57
  65. Chapter 58
  66. Chapter 59
  67. Chapter 60
  68. Chapter 61
  69. Chapter 62
  70. Chapter 63
  71. Chapter 64
  72. Chapter 65
  73. Chapter 66
  74. Chapter 67
  75. Chapter 68
  76. Chapter 69
  77. Chapter 70
  78. Chapter 71
  79. Chapter 72
  80. Chapter 73
  81. Chapter 74
  82. Chapter 75
  83. Chapter 76
  84. Chapter 77
  85. Chapter 78
  86. Chapter 79
  87. Chapter 80
  88. Chapter 81
  89. Chapter 82
  90. Chapter 83
  91. Chapter 84
  92. Chapter 85
  93. Chapter 86
  94. Epilogue
  95. Author’s Note
  96. Recipes from Fenna
  97. Reading Group Guide
  98. Images from Fenna’s Journey
  99. Further Reading
  100. Acknowledgments
  101. About the Author
  102. Back Cover

Once I resume my place at his side, he stores his gun in his pocket. Snuggled close, we tread forward like an amorous couple while concealing his belt-wrapped wound. With every passing building, every minute, I tamp my worries by trying to solve the problem: how to find a doctor. Rather than waiting for Brouwer to come to us, we could go to him—tonight. Except that we can’t make it there by tram before curfew, and the walk is much too far, specifically in Arie’s condition. How much blood would he lose by then?

“Hold on,” he says. We wait for a man with a dog heading toward us to round the corner to our right. I realize we’re in front of the large church Arie described. By my watch, it’s twenty-four minutes to curfew. We had hoped to have Evelien already.

When the stranger is out of sight, Arie whispers, “At the next street, peek to the left and get a look at the house. It’s the second one on your left side. See if there’s a motorcar parked out front. And a posted guard.”

I nod and hustle past the church and along the side of a neighboring house, each window covered for the night. Cautiously at the corner, I survey the specified home. Two-story and brick, it’s impressively wide amid the narrow houses in the area. No motorcar, a good thing. Per the housekeeper, the Zieglers planned to leave for the party at a quarter past seven. Their armed guard, leaning beside the front door, whistles softly while staring off.

Ironically, worse than his presence would be his absence, leaving his whereabouts in question.

I return to Arie and report my findings.

“All right, then. Through here.” He guides me on a narrow pathway between two sections of the church. After a few turns to round its smaller buildings, we squeeze through a damp wall of arborvitaes and enter an area adorned with trees and low hedges. We’re in a private courtyard, enclosed by three walls of a C-shaped house. It’s the back side of the Zieglers’ home—one they’ve stolen from a local family, at any rate.

“There’s the signal,” Arie whispers. In the far-right upper window, a small mound of white cloth sits on a corner of the sill, subtle yet visible against the blackout shades. The go-ahead from Gerda is welcome yet daunting. Venturing illegally into any place, let alone one dark and unknown, would be unnerving even if it weren’t a Nazi commander’s home.

I follow Arie’s trek to a window, the one farthest left on the main floor. “The bindings,” he says, flicking his gaze at the duffel, a request. I put down the bag, and from the hidden compartments, I produce the pair of scarves and two strips of rope, noting his added challenge. How will he handle these using a single arm?