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Chapters (102)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. 1942
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. 1928
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. 1943
  34. Chapter 27
  35. Chapter 28
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Chapter 56
  64. Chapter 57
  65. Chapter 58
  66. Chapter 59
  67. Chapter 60
  68. Chapter 61
  69. Chapter 62
  70. Chapter 63
  71. Chapter 64
  72. Chapter 65
  73. Chapter 66
  74. Chapter 67
  75. Chapter 68
  76. Chapter 69
  77. Chapter 70
  78. Chapter 71
  79. Chapter 72
  80. Chapter 73
  81. Chapter 74
  82. Chapter 75
  83. Chapter 76
  84. Chapter 77
  85. Chapter 78
  86. Chapter 79
  87. Chapter 80
  88. Chapter 81
  89. Chapter 82
  90. Chapter 83
  91. Chapter 84
  92. Chapter 85
  93. Chapter 86
  94. Epilogue
  95. Author’s Note
  96. Recipes from Fenna
  97. Reading Group Guide
  98. Images from Fenna’s Journey
  99. Further Reading
  100. Acknowledgments
  101. About the Author
  102. Back Cover

For immense help with all things culturally and linguistically Dutch, my heartfelt gratitude goes to dear author friends Kimberly Belle and Jean Kwok—and, by default, Jean’s poor husband, Erwin Kluwer—as well as to Janet Lee Berg. Similarly, I thank Stephanie Cale for her assistance with my Ukrainian phrases; Claire Organ (as always) with my Gaelic and Irish brogue; and Marina Kruckmeyer and Nick Burger for additional help with my German dialogue.

For their valuable input on the Bethnal Green Tube Disaster, I’m tremendously thankful to survivor of the tragedy Babette Clark and to Sandra Scotting, Hon. Secretary of the Stairway to Heaven Memorial Trust. For feedback on illusions and escapes, I thank professional magician Brent Allan and John Ragone, a member of the Society of American Magicians Assembly 77, Long Island Mystics. I’m also grateful to the FB page “You Know You’re in Copper Country When…” and to Keweenaw historian Lynette Webber, who even enlightened me on panking, chooks, and choppers.

Then, of course, there are you, the readers. Thank you for allowing my words into your imaginations and hearts. And to the booksellers, book clubs, librarians, and other book champions who continue to support and spread word about my stories, please know it truly means the world to me. Finally, above all, to my family: for the daily hugs and laughs, for keeping me fed through countless writing marathons, and for your infinite love throughout this journey.

About the Author

© Holland Studios

Kristina McMorris is a New York Times bestselling author of two novellas and six novels, including the runaway bestseller Sold on a Monday. Initially inspired by her grandparents’ World War II courtship letters, her works of fiction have garnered more than twenty national literary awards. Prior to her writing career, she owned a wedding-and-event planning company until she had far surpassed her limit of “Y.M.C.A.” and chicken dances. She also worked as a weekly TV-show host for Warner Bros. and an ABC affiliate, beginning at age nine with an Emmy Award-winning program. A graduate of Pepperdine University, she lives near Portland, Oregon, where she somehow manages to be fully deficient of a green thumb and not own a single umbrella.

Sold on a Monday

2 Children for Sale

The sign is a last resort. It sits on a farmhouse porch in 1931 but could be found anywhere in an era of breadlines, bank runs, and broken dreams. It could have been written by any mother facing impossible choices.

For struggling reporter Ellis Reed, the gut-wrenching scene evokes memories of his family’s dark past. He snaps a photograph of the children, not meant for publication. But when it leads to his big break, the consequences are more devastating than he ever imagined.

Inspired by an actual newspaper photograph that stunned the nation, Sold on a Monday is a powerful novel of love, redemption, and the unexpected paths that bring us home.