Chapters (102)
- Front Cover
- Title Page
- Copyright
- Contents
- 1942
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- 1928
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- 1943
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Epilogue
- Author’s Note
- Recipes from Fenna
- Reading Group Guide
- Images from Fenna’s Journey
- Further Reading
- Acknowledgments
- About the Author
- Back Cover
As though unable to hear the answer, I hush the band and plead through the box, “Please, if you need help, knock to say yes.”
The room’s focus is on the crate, listening for Charles. His silence infuses the air with tension.
“Monsieur?” I urge.
Folks are sitting forward in their seats.
At last comes a pound. An aggravated fist. Charles understands: this isn’t an error.
“Don’t fret. We’ll get you out.” I motion to the stagehand, the sole one nearby, but abruptly cease. “Wait…the locks. Monsieur Bouchard swallowed the keys!”
The audience is whispering, ruminating on the reminder. In my periphery, intrigue rides their faces, mouths falling agape. Public failure, you see, can summon even more attention than success, merely from the unexpected.
I pivot toward the crowd. Solemn with embarrassment, I draw on their sympathies. “Ladies and gentlemen, as you have witnessed, not every act goes precisely as intended. All escape attempts require some level of risk.”
Whereas Charles used me to capitalize on fear, I’ll shoot for fascination. And not with the shortcut of a death-defying element but with a skill they have likely never seen.
“It is therefore vital to remember,” I add while untying my scarf, “as the Great Houdini would say, there’s more than a single solution to any given problem. Finding the right one is simply a matter of belief, perseverance, and imagination.”
The cherished theorem helps steady my hands. Keeping my back to the crate, I move toward center stage. Interest clearly escalates as the burly stagehand prepares to blindfold me with my scarf. I stiffen from the darkened view yet continue, faintly aware of the suspenseful score being played by the band.
Dramatically I pull from my updo two small picks that at a distance could pass as hairpins. Feeling the stagehand’s forearm across my spine, I take a deep breath before leaning backward, arms overhead. My legs cross at the ankles, an act of modesty with my skirt toward the crowd. He lifts me with little effort and steps toward the crate. Straight as a board, I reach the first padlock.
And that’s when I begin.
Well rooted in old training, I race with my tools to navigate the lock. Through my mind’s eye, I see the mechanisms shifting and turning, until a click. The lock swings loose and clanks to the floor, dropping with the chain.
“Next.” At my order, I’m delivered to the neighboring padlock. I go to work, adrenaline and confidence accelerating my pace. Another lock and chain drop. “Done!”
On to the third.
The box suddenly shakes, pulling the lock from my hand. I recover, despite more knocks from Charles. He thinks I’m making him look the fool—he’s wrong, but I can’t worry about that now.
“Next!” Fingers working robotically, I sprint through the fourth, the fifth. In the wake of the sixth, applause breaks out.