Chapters (102)
- Front Cover
- Title Page
- Copyright
- Contents
- 1942
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- 1928
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- 1943
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Epilogue
- Author’s Note
- Recipes from Fenna
- Reading Group Guide
- Images from Fenna’s Journey
- Further Reading
- Acknowledgments
- About the Author
- Back Cover
A few years back, my eldest son insisted on helping me clean out the attic, which I admit was quite overdue. And what a blessing the task turned out to be! For I found several photographs in a box of old keepsakes that warmed my heart. I am enclosing just one of them, as I’m afraid the others were too blurry to share—if only I’d paid better mind to lessons from the friend who had lent me her camera. Oh, and I did save a good one for myself. I hope you won’t fault me.
In closing, I pray this message finds you and yours in good health and spirits. I continue to think of you and your father often and will cherish our memories together always.
Most sincerely,
Anne (Roosa) Corman
***
In my dressing room at the Marquis Theater in Chicago, I should be focused on tonight’s impending show. I ought to be rechecking all the pockets, pulls, and compartments I’ve built into my costume, a black satiny ensemble of shorts and a tailored coat. Instead, seated at my vanity, I’m hampered by distraction.
Passed along by the box office this afternoon, the photograph from Miss Roosa sits with her letter, propped against my mirror. It’s a picture of me and Papa, an image I’d never seen. Having believed the photo I’d lost while escaping the orphanage was the sole one of us together, the sheer existence of the picture before me feels surreal, additionally for this reason: I’ve no recollection of it being taken. Thus, to be staring at proof I was there is fantastically strange.
In contrast to the portrait I’d treasured, this particular photo is an informal snapshot. No prim outfits or poses, no proper studio lighting. We’re simply seated at a kitchen table, where I’m too busy gobbling down what was surely Miss Roosa’s Dutch butter cake to connect with the camera. Papa, hovering a fork over his plate, maintains a flat line with his lips. His eyes hold a twinkle, however, an internal smile he couldn’t hide from the lens.
It’s all so imperfect. And real. And beautiful.
Like life.
I try to resist, but my mind implores I consider yet another hypothetical: If I’d been more persistent, could I have convinced Papa to stay in Little Chute and marry Miss Roosa? There would have been no hunger from the strike, no tragedy of the stampede, no devastation and heartache over losing the boy I loved more deeply than I could ever describe.
But then I realize I would never have known Arie. And no matter where that leaves me today, I can’t fathom anything worse.