Chapters (102)
- Front Cover
- Title Page
- Copyright
- Contents
- 1942
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- 1928
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- 1943
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Epilogue
- Author’s Note
- Recipes from Fenna
- Reading Group Guide
- Images from Fenna’s Journey
- Further Reading
- Acknowledgments
- About the Author
- Back Cover
Drawing on my childhood, we even rig smoking pipes and flasks—both being winks to Papa—and on the ribbons of packages, we use Morse code in a printed pattern of flowers and leaves. That one naturally pulls my thoughts to Arie, but I refuse to dwell.
Of course, my working with Hutton isn’t always a breeze. Although we’ve traded enough personal tales to be on a first-name basis—at least on his side, preferring to be called “Clutty” while finding it improper to address me as anything but Miss Vos—my hardheaded independence clashes at times with his conventional if evolving views of female roles and capabilities. More than once, a nurse has shushed our bickering over opinions on a design before we’ve inevitably found ways to compromise.
In the aftermath of those quibbles, I think of Charles.
I reflect, not proudly, on the countless times I brushed off his input. And now that I’m the showman onstage accepting the entirety of credit, I finally sense how he must have felt: a nagging falsity amid the praise.
Even in this moment, despite the sunny morning that defies the late-April showers, this feeling persists. For as I approach the entrance of headquarters, Lenora stops to offer her congratulations.
“I hear many of your gadgets were just placed in the Bulletin,” she says, referring to the official training pamphlet.
I hold my briefcase handle snugly and keep my response genial but vague. “I’m just glad they’re being put to good use.”
She seems to be gauging her next words before two Canadian soldiers exit the building. Weaving around us, they suspend their chat to send flirtatious once-overs, adding to my discomfort.
I’m about to excuse myself for a summons from Colonel Crockatt when Lenora resumes. “I hope, Miss Vos, you don’t mind my saying so. But for a time, it appeared you wouldn’t be staying. I’m delighted you did.”
The remark is surprising, her tone genuine. “Thank you. I appreciate that.” Only half in jest, I admit, “You’re giving me hope that others in my department will eventually come around.”
“Oh, I’m certain they will. After all, you’ve long proven—” She self-censors too late.
“Proven…”
“That…you’re no Mrs. Bote.”
Not understanding, I shake my head.
Then Lenora cracks a smile, as if there’s no harm in sharing. “Major Hutton had entrusted Mrs. Bote with the early escape tins—assembling them, that is. As a civilian, she was so pleased to be asked that she transformed the whole of her house, in a village not far from here, into a one-person factory.”
Familiar with the pocket-size kit and how meticulously the dozens of survival aids needed to be packed inside, I can only guess how this applies to me. “I take it her finished products were less than stellar.”
“On the contrary.”
I narrow my eyes.