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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

I HAVE thwarted fate.

I MUST have done so.

But had wind or cold or scavenging animal taken the babes? With effort, the boy-king stretched his tender intellect around this question. What would it mean if they hadn’t been eaten? Hadn’t been chilled to their bones? His smooth brow grew furrowed as he attempted to envision the consequences. What if they didn’t…

There was that word he couldn’t quite bring himself to say.

He ordered more honeycake. He ordered more cushions. He ordered the fan waved with more vigor. He rubbed his brow. A bit of an ache.

“More figs.”

“Close the blinds.”

“All the blinds.”

“Quiet the street.”

“Send them away.”

“All the supplicants—yes, send them away.”

“No, I will not see them today.”

“Send her away, too. Yes, my own mother.”

“Send her to the house that was mine when I was eleventh. Yes, that one. Make it fine. See that she’s… pleased.”

“More cushions.”

“Close the blinds.”

“More honeycake.”

“Send them away.”

image

As the years passed, the hiccups of hesitation grew so that no pillow or fan or sweet dish could stop the discomfort. He found himself even unable to sleep. He lay on his bed; he rose from his bed. He paced his dark chamber; he stalked the long halls. He roamed farther and farther each night, all through the corridors, all through his rooms—empty but for the guards bowing their heads.

One night found him having wandered all the way to the fish pond.

He hadn’t been here. He remembered, vaguely, a gardener asking if it should be built, and himself ordering, Yes, build it, for surely a king should have a fish pond. A pool, really, with its marble walls and marble floor, gleaming and white. It seemed like a fine thing to have. No weeds, no mud, no plant out of place—just a well-tended pool with well-tended fish intended for eating.

Pulling a branch from a nearby tree, he sat on the edge of the pool and poked at the fish in the water. He felt a little like he had as a child when he’d stood on the bank beneath the trees. He attempted to enjoy the quiet splashing; he attempted not to feel the uneasy hiccups building in his chest. He closed his eyes, trying to imagine himself small again, but he saw only the darkness before him. The darkness was infuriating. Why could he not picture those trees? Or envision the frogs? The way they jumped? Why could he not feel now as he did then? He slapped at the dark water and the dark fish under the surface.

The night passed with his splashing and staring at the dark water. He did not even notice when dawn arrived and the fish-keep came to feed his scaled charges. Only when he heard, “You there! I’ll not have you harming these fishes! Get away! This pond belongs to the king!” did he look up and see the old man approaching.