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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

He stared at the mud, heaving great breaths of the blackened swamp cake. He began to feel feverish. The girl’s singing buzzed in his ears. Was her song in the breeze? Under the soil? In the puddle-wet patches? The lilting notes hovered everywhere.

He felt a pond of emptiness inside him.

“The frogs are all gone,” whispered a voice by his side.

The nightclothed boy again. The king, fuming, glared down at him, but the little boy did not seem to notice.

“They drained all the water and burned all the brush, but I saved a few. See?” He held out his cupped palms. Inside, a tiny, damp-bodied creature sat, pale belly pulsing. “I keep them in a little house I made for them with my mother.”

The small creature croaked, a delicate tthhhrrrp.

The croak seemed the sound of the king’s cracking brow. Tthhhrrrp. He touched his fingers to his eyes. His cheeks. How hot he was. Burning, almost. He blinked. He could not seem to see. “My carriage,” he said, striding away from the boy and the no-longer-a-pond. “My carriage!” he demanded as he reached the front door. “MY CARRIAGE!” he howled as the servants rushed from their rooms as though prodded with sticks.

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All the trip back to the palace, the king held his head. He kept his eyes shut. For hours and hours, he smoldered. He could not silence the singing.

LIV

THE UNPICKING

The wolf had begun to blur. When Rae looked at him, she was not sure she could see him as he was. Was it the light? Her eyes? Her clouded mind? Or was it the wolf himself with his dull coat sagging about his bones? His shape did not seem right. His color did not seem right. She rubbed her eyes and tried again. He was a hazy form of wolf.

As cloudy as Rae felt, she had stayed firm: She would not eat until the wolf was fed. Beyond this firmness, though, she found it difficult to do anything else. She sang, sometimes, to the wolf to settle him; she sang, sometimes, to remind herself of Mop and Ness and the sun that rose somewhere. When she slept, she dreamed of them, and she dreamed, too, of Alba, who held her hand and showed her writing—words scratched into clay. When she woke, she found the wolf’s bowl covered with markings. Had she done this in her sleep? She followed the unfamiliar shapes with her fingertips. To her, the strange lines seemed little more than the markings carved by insects—larval etchings eaten out of leaves and bark—faint tracings of their search for sap and sustenance. Lines of nourishment.

Perhaps it was all imagined nonsense, perhaps it was really nothing but a dream, but she was comforted thinking she held Mop’s words.

“Wolf.” His breath was shallow beneath her palm. She could hardly feel any wolf left at all.

She sang to him.