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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

“Airmonger,” Nessa said tenderly before turning to Rae. “Rae, quick, bring that salve, no, that one in the small pot, and that tonic.…” She turned back to Mop and, taking his quiet, still-shadowed hand in hers, raised it to her lips. “We’ll see if a bit more time and medicine brings you all the way back to us, my love.”

image

As Rae and Nessa bustled about, rubbing pungent balms over his limbs, wrapping cool poultices around his temples, Mop wondered at their busyness. I am here, he thought. All here. I’ve been sleeping. Sleeping and dreaming. Dreaming too long, perhaps—of water and darkness and a white-robed girl who reached for me—but I am here. Why do you rush so?

Everything he had said had made perfect sense to him.

You should not take the sheep too far into the hills, he had warned Rae.

It’s dangerous, he had explained.

Yes, I’m here, my love. I’m awake and here with you, he had soothed.

Rae. My daughter Rae, he had said.

Listening to himself, the words had not sounded quite right, but they were right enough in his head. And his body… there was something not quite right about that as well. Some distance seemed to have filled the spaces where his left arm and hand and leg and foot seemed to be. Some slurriness had come where his lips and tongue should be. Some coldness. Odd. He looked at his daughter, who was holding his hand, the hand that now did not seem a part of him. She was beaming, her teeth a crooked jangle of happiness, but when he looked in her eyes, it seemed a little cloud had settled behind them. He could not remember seeing such sadness in her before. The cloud made her seem suddenly older.

Daughter, he said in his mind, reaching with the hand in which he still felt his own self.

“Mountain-found,” said his mouth.

XXXVII

A LIE, A SEED OF UNCERTAINTY

The no-longer-a-boy-boy-king reclined on his pillows. He thrummed his fingers on his cheek. Though the pillows were soft, though he was clad all in silk, though he had passed the morning watching a singer, an acrobat, a puppeteer, though he had nothing at all to concern himself with beyond what he found amusing or not—and everything, everything, he found not amusing—he still felt something sour inside.

He swallowed. Sour and hot. It was always there, a feeling of curdling. He fiddled at the knots and tassels of his belt, trying to relieve the discomfort.

In the time since he had visited the oracles, the palace walls had again grown loud with their prophecies. No matter how furious his search for the heirs, he heard the oracles’ words in every squeaking stool, in every deferent step, even in the antics of those entertaining him. No one will mourn, tapped the singer’s time-keeping toes; joyless, squeaked the puppet’s unoiled hinges; unloved and abhorred, slapped the acrobat’s cartwheeling hands. Would nothing quiet them?