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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS
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Just before dawn, the fish-keep rose from his bed. Stretching his old bones, he stepped out of his hut. The sun had not yet crept over the palace walls; everything was washed in deep purple light.

He walked around the pond. He liked this time of day best—before the king rose to poke at the pond (usually), before the city noises began to bounce around the small garden walls, before the guards began their patrols. In these hours of quiet, the fish would sometimes leap from their pool—pink and green and gold flashes—and, if he closed his eyes and listened to the splash in the stillness, he sometimes could feel as he did when, so much younger, he sat on the wide green riverbank with hook and line in the water. The sun would be sparkling off the ripples, but he would just be sitting, patiently waiting, feeling the air moving across him as it moved across the water and the trees.

This morning, the fish were splashing more than usual. He watched one, then another, then another leap from the dim pool and return; he watched the watery rings spread where they reentered.

Ah! He nearly stepped on something. He bent down. What was it?

A tiny frog, pale and slight and squatting. No bigger than his thumb. It made a quiet tthhhrrrp.

Cupping his hand around the damp creature, he picked it up and held it close to his eyes.

“Strange little thing,” he said to it. “How did you arrive here? There’re no frogs in the king’s pond.”

Though the pale throat fluttered in alarm, its eyes were as placid as cream.

“Oh, I doubt you’ll do much harm,” the fish-keep said. “I suppose you might stay.” Gently, he placed the creature back on the damp rocks. “You’re so small, after all.”

Stunned by its trip in the great hand, the little frog sat on the stones, its sides puffing with fear. When after a moment it realized it was free, it leapt—arms and legs and toes splayed desperately wide—into the pond.

The fish-keep watched the small creature disappear through the reeds into the deep shadows of the water. “There you are,” he said. “You’ll be all right now.”

LX

SHE SPEAKS! SHE SPEAKS!

When the door finally opened, Alba was not really there. Only a body—tiny, swimming in the folds of a tunic that had once been kept so carefully clean—lay limp and cold on the floor.

“Oh!” said the person who had opened the door.

“Oh!” cried another behind.

“What is that?” exclaimed a third.

There was a commotion.

image

She wasn’t gone. Not completely. She hadn’t entirely slipped into darkness. But it took her a long while to find her way out.

For a time, shadows of sounds splashed around her. Bumpings. Murmurings. Exclamations. Outcries. They lapped senselessly around her shape in the dark.

She felt her body being tended to—cups raised to her lips, cool cloths brought to her skin, small patterings all about her. Fingers, ankles, knees—she became aware, slowly, of her own form. She tasted the coldness and sweetness of water.