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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

“Mop!” Rae heard someone nearby cry. “I was told you were here! How are you, old friend?”

Please, Rae thought. Keep him busy until this booted person leaves. She heard Mop returning a hearty greeting.

The boots shuffled. “No, I wouldn’t imagine the singer is you. Do you know who it is, though? Where I might find him?”

“Hmmm,” said Nessa, aging herself more with every utterance. “Well, my memory is not so good. Perhaps…” She gestured vaguely. “I seem to remember another shepherd… sometimes sells over there.”

“Well, I’ll keep looking, then.” The boots began to walk away. “The king thanks you for your help.”

Nessa exhaled. She rested her fingers on Rae’s shoulder. “We need to get you home,” she said softly, still not looking down. “Where’s Mop? Where’s Myntas?”

But Nessa had no sooner asked this question, when Mop’s voice began to rise over the marketplace.

“Oh, oh.” Nessa’s fingers tightened. “What is he doing? Be quiet, you old airmonger!”

But of course, Mop could not hear her.

He was singing. Someone had persuaded him.

His words carried, and all around, as he moved into his song, the noises of the market fell silent. The haggling voices, the shuffling footsteps, the squeaking cart wheels quieted as Mop lilted, chanting—

“Perhaps in younger years my voice could fill

the air as springtime flocks returning warm

both fields and skies with their sweet chatterings,

but still, old shepherd that I am, for you

I’ll weave a fine-spun song, for you, I’ll sing

of times before the age of men, when first

the world, that tender orb, was shaped

by seeds of earth and wind and sea and fire,

when creatures roamed through still unconscious hills

and man, as creature, too, roamed silently—

no wonder for the berry ripening

upon the cane, for clouds in hazy bloom

above the fields, no fear for shriveled fruit

upon the bough, for storms that rage and pass

encasing all in ice… no thoughts at all

for nature’s grand designs, the fate of all

the same…”

It was the first time Rae had heard Mop sing beyond their hillside, and she understood at once why his voice was known. I sing to wonder, she remembered him saying. To share that wonder. She could sense the whole market listening, marveling with him. Even as she trembled, knowing it would bring the booted guard again, her heart swelled hearing her father’s voice.

Ashen, unsteady, Ness clutched her hand. “Daughter,” she whispered as Mop’s song, rising and falling in waves, continued reshaping the air.

“… a mute acceptance. Forest shadows held us

once in green embrace; now outside and

alone, we fear what we’ve forgotten. But

draw close! Here, too, is wonder waiting, here,

too, is beauty—”

“You!” A voice, angry, assertive, cracked through Mop’s rhythms. “You there!”

“Oh, airmonger.” Ness’s hand tightened around Rae’s. “What have you done? What have you done?”

XXXIII

SLIPPERY FISH SCALES

You!” The angry voice cracked again. “Are you a shepherd?”