Contents ( 127)
- I
- ELEVENTH, OR COOKED CREAM
- II
- INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
- III
- THE ORACLE AND THE APPRENTICE
- IV
- THE WATERS SPEAK
- V
- OVERCOOKED AND DESPISED
- VI
- LIKE THE LEAPING OF FROGS
- VII
- INTERLUDE—ANOTHER MISFORTUNE
- VIII
- A SACK OF CABBAGES IN THE DARK
- IX
- NO WORDS
- X
- THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
- XI
- TENDER MANDIBLES
- XII
- FUR
- XIII
- HEARTH
- XIV
- THE LIMBS OF ANTS AND BEETLES
- XV
- THE WAY A BEAR LICKS HER CUBS INTO SHAPE
- XVI
- WHAT ANIMAL?
- XVII
- TRUTHS, OR TWO WHEELS SHEEP CHEESE
- XVIII
- ALL-TOOTHY FUR
- XIX
- AN EMPTINESS ALMOST UNEMPTIED
- XX
- A DELICATE ANIMAL
- XXI
- AH, THERE YOU ARE
- XXII
- NEVER MIND WORDS AND MAGIC AND MEANT TO
- XXIII
- THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
- XXIV
- THE ROUND GOODNESS OF EGG
- XXV
- JUST A LONE MALE
- XXVI
- INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
- XXVII
- INKY BEETLES OF TRUTH
- XXVIII
- LOVE MAKES HER LIGHT AS A LAMB
- XXIX
- THE PIGLETS GROW FASTER TO PLEASE HIM
- XXX
- A MOUNTAIN TO MAKE THE SOUND MM
- XXXI
- WITH SOOT LEFT FROM FLAMES
- XXXII
- ANOTHER PANCAKE, PERHAPS?
- XXXIII
- SLIPPERY FISH SCALES
- XXXIV
- INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
- XXXV
- A FAT, FLABBY RAT IN ITS MOUTH
- XXXVI
- A LITTLE CLOUD
- XXXVII
- A LIE, A SEED OF UNCERTAINTY
- XXXVIII
- NOTHING-FULL
- XXXIX
- THE SMELL OF BIRDS IN THE AIR
- XL
- ONETWOTHREEFOURFIVESIX
- XLI
- THE KING GROWS TIRED OF HIS ACROBATS
- XLII
- A GREASY SHRIEK
- XLIII
- TSPTSP, OR THE VIOLENT NOISE OF NATURE
- XLIV
- THE FEELING OF TEETH IN HIS MOUTH
- XLV
- A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
- XLVI
- DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
- XLVII
- SAUSAGE-GREASED FINGERS
- XLVIII
- ALL BELLY EMPTY AND FULL
- XLIX
- A PLATTER OF MEAT
- L
- EMPTY, EMPTY, EMPTY
- LI
- SOFT, FAT, AND GHOSTLY
- LII
- DRIP
- LIII
- THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
- LIV
- THE UNPICKING
- LV
- A MIRAGE, A FEVER
- LVI
- HOW CURIOUS: A WAY IN
- LVII
- TOO-HASTY SEAMS
- LVIII
- HE LEAVES THE BONES
- LIX
- NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
- LX
- SHE SPEAKS! SHE SPEAKS!
- LXI
- WRRRR
- LXII
- INTERLUDE—FRAGMENTS AND EPHEMERA
- LXIII
- LIKE SLEEPING, LIKE DREAMING
- ACKNOWLEDGMENTS
It was growing darker. Alba could scarcely see the girl or the beast.
“Would you write that I loved them?” Rae’s voice was softer, muffled as though it came from a distance. “That I wanted to return to them?”
Alba clasped Rae’s hand tight. It seemed she was slipping from her. “I will,” she said. “I promise, I’ll find a way to write it all. Rae…,” she called into the dark. She could neither see nor feel the girl at all now. “Rae?”
Drip.
For a half moment, the earth opened around Alba. Roots twisted away, stones tumbled into twilight, grubs and creeping things wriggled their firm white bodies, fleshy and luminous in the dark. Briefly, she saw Rae and the wolf as they had been before, together on the edge of the meadow, the wide starlit sky sweeping above them. The air rang with churring—cicadas, crickets, green meadow shadows—then darkness closed over them again.
Drip.
Field turned into forest, forest into mountain, mountain into soil.
Drip.
Alba, waking, felt her cheeks damp in the haze of the chamber.
Drip.
“Rae!” she called at the stones. She listened and listened. No song came from beyond.
Drip.
She was alone.
Sitting up, she found she had taken hold of something in her sleep: Maurus’s pot shard—wait there—was clutched tight in her fist. She turned it over, feeling its edges. Tentatively, she ran a corner along the wall; though it was too dark to see, she could feel it leave a faint scratch along the stones.
She stood. I, ALBA, THE ORACLE-APPRENTICE, she scratched. KNOW THIS TRUTH. She took a step back. No, the shadows were too thick. Still, she felt the letters, pale and faint, were glowing there—felt the words would keep giving her light.
She ran her hands over the walls. So much space, she thought.
So much time.
LIII
THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
He could not escape it.
Wherever he went, he heard the girl’s unendurable singing.
He heard it as he reclined on his cushions; he heard it when he poked the fish in his pond. He heard it when he marked the lines of his name on a parchment; he heard it when he scraped the last bit of jam from his bowl.
“Make it stop!” he demanded.
“Make what stop?”
“The singing.”
“What singing?”
“The girl! With the wolf! Make her stop singing!”
A servant would be dispatched. An advisor. A guard. Down the corridor they’d go; up again they’d come. She’s not singing, they’d say, or, She is singing, but I’ve told her to stop. And yet, the noise would not end.
He heard it in the halls, in his chamber, in the farthest corners of the palace and gardens. He put his hands to his ears; he buried his head beneath pillows. He grew more and more heated. “Make it stop! Make her stop!”
Governor-Advisor, even, attempted to soothe him. “The wolf hasn’t eaten in over a week. It won’t be long now. No animal can overcome its own appetite.”