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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

From somewhere deep in the palace came another cry of “The king!” Rae, cramming as much food as she could into her pockets, filling the bowl with all that it could hold, gently took hold of the boy, now gnawing on the peacock bones.

“We have to go,” she said.

He did not hesitate—he left the bones. Again, slipping her arm about him, she hurried with him out of the room.

Stomach now too full, it seemed harder to move than before: Rae felt light-headed and queasy. But the boy had new energy, and sensing her sudden weakness, he put his arm about her, nearly carrying her now down the corridor. Whether he had understood a single thing she had said to him or not, it didn’t matter: The door was open. Wind was moving through the hallway; a patch of sky was before them. The boy needed no more encouragement than this. By the time they reached the door, he was practically running, and Rae, bumped and propelled along, was rushed into open air and glittering, blinding sunlight.

LIX

NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING

What was he?

Had he been torn apart? Crumbled away?

Something, at least, felt different.

He smiled. He felt light, unencumbered—lighter than he could ever remember feeling. Perhaps as a boy he had felt this way. Yes, a boy. He felt like a boy in the morning, waiting to hear his mother’s footsteps on the stair, the sun warm on his skin, full of anticipation and hope. He felt like he could skip, even hop, so full of joy was he.

It was dark now. No matter. He would skip and hop through the dark.

He made his way through the halls. How grand everything seemed. The corridors seemed wider, the ceilings higher: Everything seemed more palatial, yet he wasn’t so much impressed by this new sense of grandeur as amused. He chuckled, a kind of soft croaking. How had he never noticed how funny this palace was?

He skipped and hopped and hopped and skipped through the dark, down one corridor, up the next, captivated by the slappy sound of his feet as they hit the cool marble. He felt cool all over. It was delightful feeling so cool.

Slap, slap, slap. He chortled and chuckled his way through the halls.

As he turned a corner, a shadow passed over him—something snarling and hairy and monstrous—and for a moment, he jumped, squeaking, terrified, all his limbs and fingers and toes splayed out in alarm, but the snarling thing did not notice him. It raced on, leaving a slavering trail.

Hee. The terror now passed, he giggled, a kind of ribbiting. The trail of slaver was silly. He followed it, splashing in it—slippy-slap, slippy-slap—all along the wet marble. Now he was cool and wet—even more delightful.

Slippy-slap—ah! Something else was running past, something with a whirling, wide hem and bare feet almost stepping on him. Startled, he vaulted away from the feet, careening into the wall. Oh! The oracle-apprentice! Where was she going? He watched her run along the slavering trail. How funny to see her move in this way! He giggled, hearing her toes plap along the damp floor just as his did.