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Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

“Yes. The retinue is arriving.”

Alba did not know what the oracle meant by retinue, but the old woman had pronounced it with much solemnity.

The oracle gestured to the chamber entrance. “Come.”

IV

THE WATERS SPEAK

Alba tried not to show her distress as she entered the chamber, but she hated it so. Though they used the word chamber, it was really a cavern. A cave. A hole in the hillside. It was dank and dark, and the air so sweet and sickly, Alba found it hard to breathe. When she was alone, she stayed as close as she could to the opening for the fresh air that blew from time to time and so she might, now and then, catch a glimpse of sky. But the oracle made her descend to the very bottom, where the dark was thick and wet and choking.

You will not hear the waters speaking from there, child.

Come to the waters, Apprentice.

You must listen to the waters.

The waters. Always the waters. There was no running water in the cave, though in the quiet sometimes, Alba could hear it dripping under the rocks, an underground stream that entered the earth higher in the mountains: Sometimes they washed in its pool. There it was clear and full of light, reflecting sun and stars and cloud and moon, showing both stone below and sky above. But here… in the dark… running its course in the earth below, the water was a dampness, a vapor, rising from cracks in the rock, slick and whispery and terrible.

Alba was to serve as seer today; the oracle would be watching. While the old woman settled herself at the back of the cave, Alba pulled the stool she was to sit on surreptitiously forward, just ahead of the largest of the fissures and away from its choking airs.

“Apprentice,” the oracle chided.

Grudgingly, Alba moved the chair back.

Lifting herself onto the stool, she could already feel the tendrils of damp air curling around her. How many years has the oracle sat in this chamber? Alba wondered. How can she stand it? She glanced at the old woman, now resting comfortably on her spidery haunches. Once, not long after the priests had first brought Alba to the mountain, she had summoned the courage to ask the oracle how long she had served as seer. The oracle had given her one of her predictably cryptic answers: I have seen three hundred thousand moons rise and fall, but when the sun finds me not beneath his eye, days cannot turn to years. Then, drawing close in the gloom of the cave, she had placed her palms on Alba’s cheeks and whispered, For you, too, Apprentice—in this darkness, your hours will number more than the grains of sand beneath your feet before you see a year of age.

Alba, not wanting to think about this remark or its wretched implications, shifted on the stool and tried to imagine she could still feel the sun on her face.