Back Wolfish Save as PDF
Contents ( 127)
  1. I
  2. ELEVENTH, OR COOKED CREAM
  3. II
  4. INTERLUDE—THE DAY OF ACCIDENTS, OR HOW ELEVENTH CAME TO BE FIRST
  5. III
  6. THE ORACLE AND THE APPRENTICE
  7. IV
  8. THE WATERS SPEAK
  9. V
  10. OVERCOOKED AND DESPISED
  11. VI
  12. LIKE THE LEAPING OF FROGS
  13. VII
  14. INTERLUDE—ANOTHER MISFORTUNE
  15. VIII
  16. A SACK OF CABBAGES IN THE DARK
  17. IX
  18. NO WORDS
  19. X
  20. THE MORNING PERAMBULATION OF THE SHEPHERD, OR THE HAREBRAINED AIRMONGER
  21. XI
  22. TENDER MANDIBLES
  23. XII
  24. FUR
  25. XIII
  26. HEARTH
  27. XIV
  28. THE LIMBS OF ANTS AND BEETLES
  29. XV
  30. THE WAY A BEAR LICKS HER CUBS INTO SHAPE
  31. XVI
  32. WHAT ANIMAL?
  33. XVII
  34. TRUTHS, OR TWO WHEELS SHEEP CHEESE
  35. XVIII
  36. ALL-TOOTHY FUR
  37. XIX
  38. AN EMPTINESS ALMOST UNEMPTIED
  39. XX
  40. A DELICATE ANIMAL
  41. XXI
  42. AH, THERE YOU ARE
  43. XXII
  44. NEVER MIND WORDS AND MAGIC AND MEANT TO
  45. XXIII
  46. THE FLOWERS THAT BLOOM IN THE THICK MUCK OF PIGS
  47. XXIV
  48. THE ROUND GOODNESS OF EGG
  49. XXV
  50. JUST A LONE MALE
  51. XXVI
  52. INTERLUDE—AN INFESTATION IN THE PRIESTS’ LIBRARY
  53. XXVII
  54. INKY BEETLES OF TRUTH
  55. XXVIII
  56. LOVE MAKES HER LIGHT AS A LAMB
  57. XXIX
  58. THE PIGLETS GROW FASTER TO PLEASE HIM
  59. XXX
  60. A MOUNTAIN TO MAKE THE SOUND MM
  61. XXXI
  62. WITH SOOT LEFT FROM FLAMES
  63. XXXII
  64. ANOTHER PANCAKE, PERHAPS?
  65. XXXIII
  66. SLIPPERY FISH SCALES
  67. XXXIV
  68. INTERLUDE—A MASSAGE OF THE TOES AND A TONIC OF BEETROOT
  69. XXXV
  70. A FAT, FLABBY RAT IN ITS MOUTH
  71. XXXVI
  72. A LITTLE CLOUD
  73. XXXVII
  74. A LIE, A SEED OF UNCERTAINTY
  75. XXXVIII
  76. NOTHING-FULL
  77. XXXIX
  78. THE SMELL OF BIRDS IN THE AIR
  79. XL
  80. ONETWOTHREEFOURFIVESIX
  81. XLI
  82. THE KING GROWS TIRED OF HIS ACROBATS
  83. XLII
  84. A GREASY SHRIEK
  85. XLIII
  86. TSPTSP, OR THE VIOLENT NOISE OF NATURE
  87. XLIV
  88. THE FEELING OF TEETH IN HIS MOUTH
  89. XLV
  90. A TERRIFYING EAGERNESS, OR CURDS ROUNDING IN WHEY
  91. XLVI
  92. DORMICE, FLAMINGOES, HONEYCAKE, PLUMS
  93. XLVII
  94. SAUSAGE-GREASED FINGERS
  95. XLVIII
  96. ALL BELLY EMPTY AND FULL
  97. XLIX
  98. A PLATTER OF MEAT
  99. L
  100. EMPTY, EMPTY, EMPTY
  101. LI
  102. SOFT, FAT, AND GHOSTLY
  103. LII
  104. DRIP
  105. LIII
  106. THE NO-LONGER-A-BOY-BOY-KING, OR TTHHHRRRP
  107. LIV
  108. THE UNPICKING
  109. LV
  110. A MIRAGE, A FEVER
  111. LVI
  112. HOW CURIOUS: A WAY IN
  113. LVII
  114. TOO-HASTY SEAMS
  115. LVIII
  116. HE LEAVES THE BONES
  117. LIX
  118. NO-LONGER-A-NO-LONGER-A-BOY-BOY-KING
  119. LX
  120. SHE SPEAKS! SHE SPEAKS!
  121. LXI
  122. WRRRR
  123. LXII
  124. INTERLUDE—FRAGMENTS AND EPHEMERA
  125. LXIII
  126. LIKE SLEEPING, LIKE DREAMING
  127. ACKNOWLEDGMENTS

It seemed a rare magic—something beyond, even, the auguries the oracle had taught her to see.

“Will you teach me?” she said at last.

“Teach you what?”

“This.” Alba pointed. “To use the reed. To make those shapes. To know how to see the words those shapes hold.”

The boy shook his head. “This is a duty for the priests.”

“If you taught me… and if you brought me these parchments to copy, to practice… I would not go to the pool. Any night. And then you can still become the one who prepares the meals.”

As he considered, the boy put the end of the reed to his mouth, and a dark smudge bloomed over his lower lip. “You would not come here again?”

“No. I would come to the mouth of the cave only. Where you sit as guard. You could teach me there.”

“And if the priests discover you?”

“I will take the blame.”

The boy, lips now thoroughly stained, hesitated.

“I promise,” Alba said. “Promise.”

The boy nodded.

XV

THE WAY A BEAR LICKS HER CUBS INTO SHAPE

As Rae grew older, though still all wild golden light and green meadow, though still barefoot, running, full of the warmth of the soil, full of song and sunlight, she became more and more the devoted child of shepherds. She sent the flocks to graze in the mornings before Mop had stirred from his bed; she whistled them into their shelter in the evenings before Nessa thought to remind her. She knew how to wrap a lamb’s wound with comfrey leaves; she knew how to prepare a balm from chamomile flowers she had gathered and dried. She could trim a persnickety ewe’s overgrown hoof, or calm an unruly ram when it came time to shear his unrulier winter wool. She could wash and pick a fleece full of burrs and seeds and stems entirely clean. She could boil the milk and drain the whey and press the cheese into molds to age.

Afternoons, when she helped Mop prod the flock to ungrazed tracts, she would lie in the tall grass, arms spread wide, watching the clouds scud overhead. The grass, heavy with seed, would bend over her, and enfolded in the green and gold stems, she would listen to the world shushing around her—the wind sweeping through the meadow, the sheep tearing up great mouthfuls of field, the wood larks cheery-ing in the distant trees. Nearby, leaning on his staff, Mop would sing small snatches of songs to the flock milling around him.

“Here spring is shining; here the rushing streams

overspill with vines and varicolored blooms.…

Here spring grows bright and here the tumbling brooks

spill out their banks with many-colored blooms.…

Here spring is gleaming; here the riverbanks

overflow with vines and many-colored blooms.…”

For Rae, the sound of Mop singing sounded as much a part of the hills and fields as the stream gurgling past or the leaves rustling in the trees, though the songs were never themselves familiar. Unlike the comforting melodies that lullabied her to sleep every night, these meadow songs changed with every singing.