Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Cocoa-butter-smelling beautiful black men and women.
Almond eyes glinting with whisky phat phunk and fumes.
The exact time that the lift doors had opened
Was the exact time that the music, mid-song, had stopped
All heads turned slowly to the intrusive source of light.
Hundreds of them. Hundreds and thousands and maybe a million.
The sweet still air was filled
With the black breath of my silent brothers and sisters,
Who did nothing more than blink and watch and register.
It was so silent that I could hear
A glorious curl of sweat abseil down his face
I could hear it fatally explode on the floor
And bounce back in the shape of a crown. Jeez!
His shaken forearm rose slowly with the lump in his throat
And his finger travelled through the thick air,
Towards the elevator lift panels.
Until finally he pressed the button for
Reception! Reception! Reception!
Colour Blind
Colour Blind
If you can see the sepia in the sun,
Shades of grey in fading streets,
The radiating bloodshot in a child’s eye,
The dark stains in her linen sheets.
If you can see oil separate on water,
The turquoise of leaves on trees,
The reddened flush of your lover’s cheeks,
The violet peace of calmed seas.
If you can see the bluest eye,
The purple in the petals of the rose,
The blue anger, the venom, of the volcano,
The creeping orange of the lava flows.
If you can see the red dust of the famished road,
The white airtight strike of Nike’s sign.
If you can see the skin tone of a Lucien Freud,
The colours of his frozen subject in mime.
If you can see the white mist of the oasis,
The red, white and blue that you defended.
If you can see it all through the blackest pupil,
The colours stretching, the rainbow suspended.
If you can see the breached blue of the evening,
And the caramel curls in the swirls of your tea,
Why do you say you are colour blind
When you see me?
Charlie’s Playing Blackjack
Charlie’s Playing Blackjack
(For David Murray)
It’s got to scream like a thousand shivers.
Shake down, break down, run like rivers of black fire-waves.
Rise demons and spirits from the Senegalese caves.
Rise Beloved and Seth! Rise the dead!
For this sound digs, digs down-down where the deep down
Is down with the deep down till it reaches the beaches of Goree.
Until it stabs-stabs as it grab-grabs the minute minute. Hold fast.
It flows through passages, right, like a flock of carrion crows,
And stings and blows and stings and blows,
Makes sadness sing high and swing low.
SWEET CHARIOTS OF FIRE!
Quotes wrapped in rolled notes, stick into the spokesmen’s eyes.
The hoaxmen of the mainstream deep scream.
Deep, Davis, deep. So deep, Davis, I can’t sleep for the
Sweeping sounds of your underground. This landscape