Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Your presence binds lips together.
Why is it when your name is mentioned
There’s a sudden change of weather?
You’re a lift to a claustrophobic,
A witch to a priest.
You’re gushy and gooey.
You’re my release.
I wouldn’t be a bell ringer
With a face like that.
Here, see how hard you can
Head butt this cricket bat.
How can we discuss the meaning of life
When you don’t deserve it?
It’s a bad habit that, breathing,
I wish you could curb it.
It’s short and sweet,
And there isn’t much pain.
Have you ever tried hang-gliding
Without a plane?
I’d say I didn’t mean all this,
But truthfully I’d be lying,
And I really wouldn’t write it
If I thought that you’d be crying.
In fact if I was you I wouldn’t
See any need for resentment,
Because from me to you, quite honestly,
This has got to be a compliment.
Professional Black
Professional Black
Whirlwinds attract you more than the common breeze.
It’s too easy to see the wood and never the trees.
You can make a tailor-made struggle just for the stage,
And the government will fund it ’cause it’s all the rage.
And you can fool the bodies into giving you the readies,
Because only black people can define just where your head is.
When I check it out the hammer hits upon the nail.
You speak about the struggle as if it was a fairy tale.
As if it was a vehicle, your personal limousine,
With closed and tinted windows to take you to your dream,
And the only ones who see this are the ones who realise
That you’re cheating this ‘community’ with lies.
You disagree with these words and theatrically deny,
Telling me what you’ve done for black people, never telling me why.
And there before my eyes it became totally apparent
That you were never black – you were simply transparent.
Pretoria Pit
Pretoria Pit
I lived next to Pretoria,
A deformed tongue of earth,
Holding fathers and sons in clenched stone throats.
Young estate kids stole motorbikes,
Wheel-spinning on the fossilised spines of miners
Who groaned in the trips of hippies
Who plucked magic mushrooms from their mouths.
In parts, on sharp sides, silver birches scream for light
Like the flame-breathing canaries.
Pretoria bleeds in still pond pockets.
And I’d sit on this and watch the sun through
The dead mill windows; make it look
Like a church, like it was crying,
Like the whole Lancashire plain was mourning
As the souls rose through the birch trees
And suckled the stars.
Our estate hunched at Pretoria’s feet,
Fell down from there,
As if in awe,
As if running away down into the village,
Desperate to break through onto Market Street.
Uncle Tom and the 1990s
Uncle Tom and the 1990s
The way he
Bowed his head to the lilac princess