Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Each drop of blood seeped back to his veins.
It seemed that the Ethiopians
Rose from the river beds,
Came from the shadows of mountainsides,
With eyes of stone and dread,
And Baratieri’s generals, sensing
The beginning of the end,
Succumbed to the deafening whisper,
Surrender, surrender.
Remember this: it was not one of Ethiopia,
But Ethiopia as one;
It was not part of the sum that won,
But part of everyone.
It was not the heart on its own,
But its veins that pumped on.
It was not just the warriors,
But where they were all from.
Remember this: how the story washed
Across the continent enslaved,
Flooded with the story of Adwa
In a whispered tidal wave,
From Kenya to Senegal,
From Morocco to the Gambia.
The liberation began in Adwa, 1896,
And ended in South Africa.
The Gilt of Cain
The Gilt of Cain
Here is the ask price on the closed position,
History is no inherent acquisition.
For here the technical correction upon the act,
A merger of truth and in actuals fact,
On the spot, on the money – the spread.
The dealer lied when the dealer said,
The bull was charging, the bear was dead,
The market must calculate per capita, not head.
And great traders acting in concert, arms rise,
As the actuals fraught on the sea of franchise
Thrown overboard into the exchange to drown
In distressed brokers’ disconsolate frown.
In accounting liquidity is a mounting morbidity
But raising the arms with such rigid rapidity . . .
Oh, the reaping, the raping rapacious fluidity,
The violence, the vicious and vexed volatility.
The roaring trade floor rises above crashing waves:
The traders buy ships, beneath the slaves.
Sway machete back, sway machete again,
Crick crack cut back the Sugar Rush, Cain.
The whipsaw, it’s all, and the whip saw it all,
The rising market and the cargo fall.
Who’ll enter ‘Jerusalem’, make the margin call for Abel?
Who will kick over the stall and turn the table?
Cain gathers cane as gilt-gift to his land,
But whose sword of truth shall not sleep in hand?
Who shall unlock the stocks and share,
Break the bond, the bind unbound – lay bare
The truth? Cash flow runs deep but spirit deeper,
You ask the question, ‘Am I my brother’s keeper?’
I answer the best way I can, through laws.
My name, my brother, Wilberforce.
Applecart Art
Applecart Art
Upset the art, smash the applecart,
Sell it for firewood to warm hearts.
Don’t join the loop, the loop troupe,
Don’t hump through their hoops,
Or get stuck on sticky peaks of double speak.
I’m clocking the click of the clique.
I swim with the shallow.
If they demand I be deep,
Though, I can hold my breath
Deeper than sleep, deeper than death.
Upset the art, crash the snapplecart,
Sell it for cash and a brand new start.
Turn cart wheels on the art wheels,
If that’s how your heart feels.