Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Turned you on to make you shiver,
L.S.D.
Burn My Book (Burn In Illusion)
Burn My Book (Burn In Illusion)
Don’t bandage my words around the wrong bruises.
Don’t sell yourself to the hoard of accusers.
Don’t generalise what you can’t bother to question.
Don’t smash the mirror without seeing the reflection.
Don’t burn my words in passive disbelief.
Don’t disband your thoughts while turning overleaf.
Don’t submit yourself to non-acceptance.
Don’t surrender yourself to inno . . . ignorance.
Don’t ask me to justify all that I write.
Don’t ask me to tell you that you are all right.
Don’t take offence when faced with the truth.
Just because they are sentiments presented by the youth.
Accept that my motivation brought me here.
Accept that there must be something to clear.
Don’t close up and fall like a faulty telescope.
Blurred in your vision, void of question and hope.
And in all of this acknowledge, I don’t only see the knocks,
Not just the pain, not just the shocks.
Where there is pain so too is love.
And the hand may well be soft and yielding
Wrapped in a velvet glove . . .
Tense Tattered Tortured Tried Tested and Torn
Tense Tattered Tortured Tried Tested and Torn
I am a tree with no roots . . . or dead roots . . . or
chemical-ridden roots.
I am an emotion with no colour. I am a colourless dream.
I am a scream.
I am a tear spiked with acid that runs burning down
tender cheeks.
I am the decisive decade, the moaning month, the harrowing
hour, the stretched second, the weakest week,
I am the charred, twisted and broken branch of my grand
ancestral tree.
I am the burden of the recognition of something that never
happened to me.
I am the tragic trauma . . . tense, tattered, tortured, tried,
tested and torn.
I am still underdeveloped, without life, I am stillborn.
I am the stolen manuscript. The paper in the fire. The
unwritten anthology.
I am an ape, victimised by the poking of the iron rod of
anthropology.
I am the maroon nightmare. The muffled cries of a child
turning in his pillow.
I am yesterday and always tomorrow . . . always tomorrow
. . . tomorrow.
I am the epitome of the Western world’s real dream.
I am the colourless dream. I am a scream.
I am the glued-together statue of a man.
I am the fickle face of one in a million.
I am the colourless dream. I am a scream.
I cry but then laugh and slowly smile.
I can only be a broken man for a short while.
Mother Thatcher
Mother Thatcher
Whose is the gutter,
Mother Thatcher?
The one that swills away the poor,
Sucks them down the grid of non-acceptance,
The grid outside your door.
Man pride
In your prime,
Minister.
Whose is the gutter,
Maladminister?
Whose is the gutter,
Mother Thatcher?
What’s that stagnant smell?
Oh, it’s a miner problem, said she.
And nobody can tell.