Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Some sink their open mouths into feather pillows
And tremble on the bed like beached dolphins.
Some people are bent as question marks when they weep
And some are straight as exclamation marks.
Some are soaking in emotional dew when they wake,
Salt street maps etched into their faces.
Some find rooms and fall to the floor as if praying to Allah. Noiseless
Faces contorted in that silent scream that seems like laughter.
Why is there not a tissue-giver? A man who looks for tears,
Who makes the finest silk tissues and offers them for free?
It seems to me that around each corner, beneath each stone,
Are humans quietly looking for a place to cry on their own.
Mourning Breaks
Mourning Breaks
They always said I was over the edge
And now I am. I really am over the edge!
But as I dropped, in a gasp of air, I grasped a branch
That, I hoped, had its roots in the rock or rock solid roots.
But there’s a breeze blowing, a stunning storm coming,
Thickening ink spills and swills on a bleating paper sky.
A crowd of rain on the horizon staggers nearer,
I sway so. I know so. I slip a little more.
I know so I sway so. I grip a little more.
These tender fingers in a clenched fist.
I must have slit my back. It hurts like a howl.
It stings like a scowl, weeps and stings again.
The skin splitting and spitting from my spine sides
And a pain develops muscles that create mouths
That simulate sounds of whole cities screaming.
There’s a storm coming. A coming storm.
Dust spits from the clifftop into my river-eyes,
Forcing tears over the banks to flood me.
I will not drown in them. I will not drown.
I am hanging on. I am hanging on. I am hanging on.
In the zip of a thick ribbon of wind
A god or a devil appears floating in front of me
And tells me in a hunch of a NY accent
‘Let go, let go – Death is just the beginning
Of the end of the beginning of the end . . . ’
And continued for forty-one days and forty-one nights,
‘Of the end of the beginning of the end . . . ’
And in a crack of lightning the devil or the god vanished.
Nothing more to concentrate on. But a storm,
The sky. And my breaching back. And the cliff
And the edge. And the uprooting branch.
And my knuckles so sore, cracked and numb
They favour a knot of bleeding wood.
If I look down (and I do look down) I see
That blood has poured from my back; seeped
Along the smoothness of my backside; slid under
My testicles and coiled its way seductively
Around my thighs, knees and ebonised legs.
It pours in abundance from my feet and skydives.
I watch these red tears fall for ever and transform
Into explicit flowers as they reach the floor.