Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
The more our heart’s quarantined.
The more closed we become,
The darker our heart,
The more closed we become,
The more apart.
The more territorial,
More terrorist.
Open all borders, break down all walls.
Shred all birth certificates, burn all passports.
Open all doors, windows and gates.
Open all access-all areas, open all records.
Open all fields, open all curtains.
Open all memories, open all galleries.
Open all fears, open all dreams, open all.
Cure all maladies.
Open all educational facilities.
Open all secret services, open all doors.
Open all senses, open all defences.
Ask what were these closed for.
Open all family secrets, open all trap doors.
Open all dark passages, open all attics and cellars.
Open all battles, open all secret wars.
Open all, and unlock interstella . . . The interstella.
The possibilities of light.
The nature of trust.
The strength of the unassailable
US.
Night Mails
Night Mails
This is the night mail crossing the border,
And oblige, bark the bailiffs, by order,
Letters from providence, letters to the poor,
The lot on the corner, the girl next door.
Pulling out tears on debt’s steady climb,
The grades are against her on poverty’s line.
She carries the past like it were a boulder,
Shovelling screams over her shoulder,
Snorting noisily as law passes,
The children like wind bent grasses.
Some turn heads as invisibility approaches,
She stares on the sideline at blank-faced coaches.
Seems no one can turn her course,
As she stumbles, broken by unspoken laws.
In disquiet she passes yet no one wakes,
And shoulders in bedrooms gently shake.
Dawn does not freshen, her climb is undone.
Down towards depression she descends,
Towards thugs yelping in shades of shame,
Towards fields of statistics and furnaces.
Set upon the dark plain, like giant chessmen,
Her family waits for her.
In the dark of them, beside pale steel locks
Men long for news.
No letters of thanks, nor from the banks,
No letters of joy from the girl or the boy,
(But receipted bills and citations
to inspect new stock or their relations),
Nor applications for situations,
No letters above declarations,
Of her illegality and complications,
And gossip, gossip, plans for nations,
News substantial, no ring-fenced financials.
Letters with faces scrawled in the margin,
The breakdown uploads, the bailiffs charge in,
No letters from uncle, cousins nor aunt –
They too locked in the same dance.
Letters of demand delivered by hand,
Letters of law delivered by claw,
Written on paper of every hue,
I think the violence is fighting you;
The cold and official pouring,
Into the breaking passage of falling.
Clever, stupid, short and the long,
The typed replies spelled all wrong.
Thousands are still asleep,
Dreaming of increasing demands,
Of disappearing in the quicksand,
Or invisibility like Branston’s and Crawford’s.
But we shall continue our dreams,
Shall wake soon and long for letters,
And no one will hear the postman’s knock
Without a quickening of the heart,