Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
It’s children who spot puddles,
Pavement cracks and kerbs,
cement between bricks
And brand new verbs.
It’s children who spot Granddad
Picking at his nose,
The stubble on his chin,
The smell on his clothes.
It’s children who spot shadows
Disguised as monsters
And brown knotty sticks
To chuck at the conkers.
It’s children who spot scruffy dogs
And skinny cats,
And bird nests in the tweed
of an old flat cap.
It’s children who spot broken-legged blackbirds
And the biggest caterpillar,
The one with the fangs
That had to be a killer.
Writer’s Blockocks
Writer’s Blockocks
Instead of rolling my tongue around a juicy adjective
While finding myself an abstract objective
To metaphorically master through a perfect perspective
And economically edit to its utmost connective,
I find myself lost in a cell full of words.
I know what I want to do but I can’t find the verbs.
Rhymes are on the run through the keyhole and under the door,
Saying I am going to die a death if you use me any more.
But a padded cell is not enough, it’s another cliché.
Another padded-out and poached piece of poetry today.
My illness is spreading, pathetic as the odd sock,
Or the fact that gets me to the rhyme – I’ve got writer’s block.
Grief wells, haunting my paper with cunning and clarity,
To see this block, the big full stop, the end to my literacy.
Suicide seems to be the only recurring choice
For on top of all this, I’m an oral poet and I think I’m losing my voice!
The Black Moon
The Black Moon
Some would say there was no moon
If it was black, because it can’t be seen
With the naked eye,
Like there is a naked eye
Unattached to a brain.
I would say take a closer look.
Here, use this telescope,
Point it towards that star.
Yes, the white and bright one.
Can you relate to that? Right,
Now move it to the left . . . up a little.
An outline, a circular shape.
That’s the one, yeah! Yes, that’s the black moon.
A circular magnificence reveals and breathes
Itself into another mind, free again.
The music of knowing.
Taking his eye away,
Quizzically, mockingly, he said,
‘Yeah, but what do I want to know that for?’
All that investigation
All that proof –
For what?
Think I’ll use my energy showing
A black man a black moon.
Brinkley Park
Brinkley Park
In the interval of each footstep
A distant drunken couple laugh.
Like a lioness chewing gravel,
Her feet crunched the speckled path.
Thinking of every memory-hugging
Short cut she knew so well,
She waited as walking for the
Timely chime of the 3 a.m. church bell.
As she recalled the warmth
Of pillow and sheet,
She slowly bent under the shadow of the willow
To rub awake her sleeping feet,
And it was cold, wet