Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
To those who demand you stand by their pandect,
Call them all cheats on call and collect,
They’re gargoyles hunched on their haunches,
Stalking the walk at lunches and launches.
They backbite, backslap, salubriously clap,
With cleaver hands to stick in the back.
Upset the art, trash the cattlecart,
Start the stampede in the heart of the art.
Don’t play poker with the mediocre,
Token-filled pack full of jokers.
The Class A offenders are pretenders
Protecting their pretence, return them to sender.
Feel fierce flocks of fight forming and flowing,
Know you’re only as good as your last poem.
Cut yourself, it should be ink you’re bleeding,
Know you’re only as good as your last reading.
Let wisdom be the weight of your wealth
And your greatest competitor, yourself.
I Will Not Speak Ill of the Dead
I Will Not Speak Ill of the Dead
In the orchard I catch a falling leaf and wish to make no wish.
Before my eyes the leaf, a veined slither of heart, pulsates.
A collar-boned branch snaps beneath or behind or within,
But I am here for a reason and cannot wait to leave.
I won’t speak ill of the dead.
Not a word as I reach, twist, then with a tug of the wrist
Pick the scarlet fruit from the bitter memory tree.
The sound of a hiss pours down in a shiver and circles me.
This is not fruit for eating. This bulbous leathery bruised
Over-sized bull’s eye, a cross between a lychee and an apple,
Seeps sticky brown oil that coils into my half-formed fist.
I am told this flesh is poisonous and so it is my service
That I should bring it to my mouth beneath my nose,
Smell and draw the decaying cancerous tinge.
Slow but deliberate, I sink my teeth into its stringy slime
And feel the cold flesh slide up my teeth and onto my gums.
The first bite is the worst bite and the brown oil slides
Down my chin as the mulch slips within me.
This is good. I am impervious to the poison, because
I was fed the seeds of this tree when I slept as a child.
It grows inside me. I feel its branches stretch inside
And at night-time sometimes I hear it tear my inner flesh.
Though a hand has become one deformed knot,
The other holds a wooden pen.
I won’t speak ill of the dead. Not a word.
There will be nothing more satisfying than knowing that
The sewage with all its pips and dangerous seeds
Will be dragged away from me, spat out into the sea
A long way away – I will not speak ill of the dead.
Not a word.
Transistor
Transistor
Airwaves transmit, vocals translate,
Emotions in transit transmigrate,
Story transmutes and what transpires
Are transfinite transonic choirs.
The soldier, the teacher, the lover, the storm,
Translocate, transform.
This Train (Sing Along)
This Train (Sing Along)