Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
And spat on the young black boy
Polished his shoes and ignored the news
Of the lynching in his own backyard,
Or folded his clothes and held up his nose
At the sounds of a screaming sister:
Uncle Tom, the same syllable sound
As true or false, sweet and sour,
Right or wrong, do or die,
Is dead,
Manacled mutilated moaning in his grave,
Twisting and turning in all the suppressed unrest.
He sweeps the floors of hell,
Licks the walls of heaven,
Takes all the sinners to the pit of eternal fire,
Children, crinkly old men, crimson young girls;
Holds them by the hand, tells them
They’ll be all right, they’ll get used to it, and hums,
‘Oh Lordy, pick a bale of souls
Oh Lordy, pick a bale a day
Gonna jump down turn around pick a bale of souls
Everydoghasitsdayhewholivestorunawayifatfirstyoudon’t succeedabirdinthehandisbettereyesbiggerthanyouranger begatsangerdon’trocktheboat.’
Frustrated black people still pull him from the grave,
But the myth
Has decomposed and doesn’t hold together
The years between then and now.
We are at the crux of making
A martyr from a fool,
A fool from a martyr.
Uncle Tom is dead.
Hot oil spittle pours from each orifice
His solidified words
‘Everycloudhasathere’sgoodandbadinweareallthesameunder . . . liveandletlive.’
Make him a saint or a swear word;
Both are a modern-day charade.
There is no Uncle Tom in the 1990s;
Just cold calculated black moving sculptures, sharp and sinister,
Who know exactly what they’re doing.
Clear as Day Storms
Clear as Day Storms
It’s in the secluded moment
Or the hectic deadlines
That beyond my control
I remember the times
When skies bent with red strength,
To protect our innocent minds,
Would paint pathways home
For memories to find.
But moon-soaked storms
(As we swam against the tide
or circled like eagles
above the mountain sides)
Dragged me
Into the hurricane’s eye
And sucked me through
Darkened skies;
Through ricocheted demands,
Commands too high to reach,
Grey rooms, rattling keys,
And corridors too bleached.
With no space to breathe
I would sit by the window pane
To watch the storm stabbing
And the night-time cry in pain.
And now in the night’s whisper
And the single magpie’s lull,
As the air thick and humid
And the wind begins to pull,
I greet the storm,
Stand in its rain,
And somehow you’re as clear
As the day again.
My Brother
My Brother
We laughed, played draughts,
Under a sweeping sleeping sun
By the coconut tree
And the smell of lemon grass.
He had returned from Paris.
It took us half an hour
To get the right coconut
And two minutes to mix the juice
With raspberry cordial.
That night I cried,
How alike we could have been.
Children and Company
Children and Company
It’s children who spot sand-pits
And large puddles,
Insect spit
And warm cuddles.
It’s children who spot spiders
And dew-cobbled cobwebs,
Holes in bushes
And worms that are half dead.