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Chapters (148)
  1. Cover
  2. Title page
  3. Dedication
  4. Introduction
  5. From Perceptions of the Pen (1985)
  6. Well ‘I’
  7. Mother
  8. Ain’t No
  9. Scream
  10. So Near and yet So Near
  11. As Is Life
  12. From Tender Fingers in a Clenched Fist (1988)
  13. African Metaphor
  14. Listening
  15. Nursery Rhyme
  16. Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
  17. Negotiations
  18. Englabetween
  19. What Have We Got
  20. Moods of Rain
  21. Wasita
  22. Sing a Song of Sick Penance
  23. The Black Writers’ Workshop
  24. Understanding Difference
  25. The Day Will Come
  26. The Invasion of the Mancunoids
  27. The Red Death of Edgar Allan Poe
  28. Trying Me
  29. Dead Wood Poetry
  30. Fell Off and Fell Out
  31. Bad Trip – L.S.D.
  32. Burn My Book (Burn In Illusion)
  33. Tense Tattered Tortured Tried Tested and Torn
  34. Mother Thatcher
  35. Today Will Pass
  36. Spell Bound
  37. Gold from the Stone
  38. Everything Is Rhythmical
  39. Sleep Is a Songbird
  40. Director’s Notes (For the Daily Shun and Daily Killer)
  41. She Read as She Cradled
  42. City Sigh
  43. Spell Me Freedom
  44. Interim and Cost
  45. Ace Under My Sleeve
  46. Traces
  47. The Show Goes On
  48. From Rebel without Applause (1992)
  49. Bearing Witness
  50. Remember How We Forgot
  51. Fingerprints
  52. Occupations
  53. Boiling Up
  54. Instant Consciousness
  55. Airmail to a Dictionary
  56. The Customs Men
  57. Mind-Walking
  58. For My Headstone
  59. Love Poem
  60. Flowers in the Kitchen
  61. Suitcases and Muddy Parks
  62. The Nest
  63. Pass It On
  64. Going Places
  65. Gil Scott-Heron
  66. Godsell
  67. Flushed
  68. I Hate You
  69. Professional Black
  70. Pretoria Pit
  71. Uncle Tom and the 1990s
  72. Clear as Day Storms
  73. My Brother
  74. Children and Company
  75. Writer’s Blockocks
  76. The Black Moon
  77. Brinkley Park
  78. Rage
  79. From Morning Breaks in the Elevator (1999)
  80. The Waitress and the Nights of the Round Table
  81. Colour Blind
  82. Charlie’s Playing Blackjack
  83. Invisible Kisses
  84. Slipping
  85. Murdering Bill
  86. Immigration R.S.V.P.
  87. Fair
  88. The Repossession: Lot 67
  89. Baptism in Mire
  90. Controlled Explosions
  91. Children’s Home
  92. Walking in Circles
  93. My Dad Is a Pilot
  94. Guilt
  95. Sandwich Love
  96. The Elevator
  97. A Flock of Sound
  98. The Graduate and Her Secret Thesis
  99. The Bruise
  100. Quiet Places
  101. Mourning Breaks
  102. From Listener (2008)
  103. Let There Be Peace
  104. Rain
  105. The Actor’s Voice
  106. Patterns
  107. Laying the Table
  108. Perfect
  109. Gambian Holiday Maker
  110. Listener
  111. Ricochet
  112. Email
  113. Elephant in the Room
  114. Architecture
  115. Moving Mountains
  116. Manchester Piccadilly
  117. Some Things I Like
  118. The Lost Key
  119. **** This
  120. Magpie
  121. Before We Get Into This
  122. Advice for the Living
  123. The Battle of Adwa, 1896
  124. The Gilt of Cain
  125. Applecart Art
  126. I Will Not Speak Ill of the Dead
  127. Transistor
  128. This Train (Sing Along)
  129. Spring: Mayday Mayday
  130. Barley Field
  131. The Boxer
  132. Torch
  133. New Poems
  134. What If
  135. Whale Translation
  136. The Spark Catchers
  137. Shipping Good
  138. Open Up
  139. Night Mails
  140. Lock and Quay
  141. Listening Post
  142. Fallen
  143. Belong
  144. Rest
  145. Adventure Flight
  146. Endnotes
  147. Index of Titles
  148. Index of First Lines

And spat on the young black boy

Polished his shoes and ignored the news

Of the lynching in his own backyard,

Or folded his clothes and held up his nose

At the sounds of a screaming sister:

Uncle Tom, the same syllable sound

As true or false, sweet and sour,

Right or wrong, do or die,

Is dead,

Manacled mutilated moaning in his grave,

Twisting and turning in all the suppressed unrest.

He sweeps the floors of hell,

Licks the walls of heaven,

Takes all the sinners to the pit of eternal fire,

Children, crinkly old men, crimson young girls;

Holds them by the hand, tells them

They’ll be all right, they’ll get used to it, and hums,

‘Oh Lordy, pick a bale of souls

Oh Lordy, pick a bale a day

Gonna jump down turn around pick a bale of souls

Everydoghasitsdayhewholivestorunawayifatfirstyoudon’t succeedabirdinthehandisbettereyesbiggerthanyouranger begatsangerdon’trocktheboat.’

Frustrated black people still pull him from the grave,

But the myth

Has decomposed and doesn’t hold together

The years between then and now.

We are at the crux of making

A martyr from a fool,

A fool from a martyr.

Uncle Tom is dead.

Hot oil spittle pours from each orifice

His solidified words

‘Everycloudhasathere’sgoodandbadinweareallthesameunder . . . liveandletlive.’

Make him a saint or a swear word;

Both are a modern-day charade.

There is no Uncle Tom in the 1990s;

Just cold calculated black moving sculptures, sharp and sinister,

Who know exactly what they’re doing.

Clear as Day Storms

Clear as Day Storms

It’s in the secluded moment

Or the hectic deadlines

That beyond my control

I remember the times

When skies bent with red strength,

To protect our innocent minds,

Would paint pathways home

For memories to find.

But moon-soaked storms

(As we swam against the tide

or circled like eagles

above the mountain sides)

Dragged me

Into the hurricane’s eye

And sucked me through

Darkened skies;

Through ricocheted demands,

Commands too high to reach,

Grey rooms, rattling keys,

And corridors too bleached.

With no space to breathe

I would sit by the window pane

To watch the storm stabbing

And the night-time cry in pain.

And now in the night’s whisper

And the single magpie’s lull,

As the air thick and humid

And the wind begins to pull,

I greet the storm,

Stand in its rain,

And somehow you’re as clear

As the day again.

My Brother

My Brother

We laughed, played draughts,

Under a sweeping sleeping sun

By the coconut tree

And the smell of lemon grass.

He had returned from Paris.

It took us half an hour

To get the right coconut

And two minutes to mix the juice

With raspberry cordial.

That night I cried,

How alike we could have been.

Children and Company

Children and Company

It’s children who spot sand-pits

And large puddles,

Insect spit

And warm cuddles.

It’s children who spot spiders

And dew-cobbled cobwebs,

Holes in bushes

And worms that are half dead.