Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
I know, if you knew when you lost it you wouldn’t be looking.
Have you checked the back of the sofa? Underneath it?
Could it be in your pockets? Have you checked your pockets?
What about your pockets? What about there, in there?
No. The insides of your pockets. Now, have you got,
Have you got any inside pockets? The insides of the inside.
I mean your inside pocket. Inside your inside pocket.
Have you checked the cupboards? With the clothes in,
The clothes, the new clothes, ’cause you never know,
Things turn up in the strangest . . . They do. Turn up.
You have to check all of the pockets in all of the clothes
Of all the places you’ve ever been – that’s a lot of pockets.
Find out where the new land lies and the old lies land.
Funny how when you’re looking you find everything else
Except. Don’t start blaming people. Before you know it
You’ll accuse everyone that is nearest to you,
Everyone that was closest to you, that mattered.
You’ll turn on them, investigate them for the time
They might have slipped it in their pockets
And slipped away saying goodbye, goodbye.
Have you checked your pockets? Your inside pockets?
**** This
**** This
**** this, **** all that
Who the **** are you shouting at?
**** you and what you’re shouting for
**** you all, I don’t care no more
**** it, you are the dead loss
**** you and **** your ****ing boss
Not much to say, no ****er to tell
**** **** **** it **** in’ hell.
Magpie
Magpie
I saw a single magpie,
It really got to my head.
I thought, ‘You unlucky bastard,’
And shot the bugger dead.
Before We Get Into This
Before We Get Into This
Before we get to know each other
And sing for tomorrow
And unearth yesterday,
So that we can prepare our joint grave,
You should know that I have no family,
Neither disowned nor distanced – none.
No birthdays, nor Christmas,
No telephone calls. It’s been that way
Since birth, for what it’s worth,
No next of skin.
I am the guilty secret of an innocent woman
And a dead man – tell your parents, they’ll want to know.
Advice for the Living
Advice for the Living
Dead fast this.
Everyone’s dying to arrive,
Living for deadlines, trying to
Stay straight as a die. They’ll get
There, dead or alive because they’re
Dead set, and they do arrive in shores
Of dead heats, dead beats at dead ends
Dead messed up like dead stock. The living
Dead flogging dead horses in the dead of
Night. Dead right, dead lost, dead right.
Every now and again we stop dead
In our tracks, dead still ’cause it’s
Dead hard, like a dead weight’s
Dropped on the head. . .Wouldn’t
You die for a little piece, die for
A breath of hope? Dead right,
I would. In the dead centre of
All this deadlocking, dread