Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
They dug their spiked elbows into the wilting backs of tables.
The tablecloth dripped congealed red wine from its quiet hanging corners
And the sounds of their grunts, growls, their slurping,
Their gulping and tearing invaded the hall.
But a black swan amongst a sea of serrated cutlery, she soared just above
And wove a delicate determined ballet in between – invisible.
She walked for miles that evening, balancing platters,
Pinafore-perfect hair clipped so not to slip.
The wine warmed and the candles cried.
In the background of the lashings of laughter –
The guttural sound of wolves.
She retrieved a carcass of lamb, poured red,
And didn’t notice the bloodshot eyes slide over her:
Nor the claws stretching and puncturing leather brogues;
Scratching the wooden floor; nor their irritation at her.
One mauled a mobile phone with a clumsy paw,
The alcohol-fuelled change was taking hold.
And together they could be and become who they really were.
Wolves. Wolves in their pride. Wolves in their pack.
Their lower jaws had stretched and eyes slitted –
Some even bayed as wolves, heads flicking side to side,
Tongues slipping low, slow and deliberately from their mouths
And curling sensually to their snouts. The wolf has a permanent smile.
It grew, first half-cough, half-bark. One paw banged on the table,
Another banged and another and another and another
Until the whole hall echoed with the unified clatter
Of the guttural phlegm-flicked word that brought them together
‘Gerni gerni gerni gerni,’ they chanted.‘Ggerni ggerni ggerni,’ they chanted faster.
‘Ggerni Ggerni Ggerni Ggerni,’ faster and faster.
‘GgernigGerniggerniGgerniggerniggeriggernigger.’
She turned to her colleagues who stood by the kitchen entrance,
But their eyes! Their eyes slipped sideways away from her.
They too were wolves! Her lips parted for her voice and the room hushed itself,
But for the slipping of saliva from their jaws and the flickering candles
And the dripping of the red wine from the tablecloth.
As instructed by her manager, she, smiling politely,
Asked a wolf, ‘More coffee, sir?’
And cool as a criminal who had stopped running
And hangs on the corner of the main street
As if his heart wasn’t trying to pe
From his chest and hide in the gutter –
Cool like that – the lift stopped. And here we are.
The two of us and one magnificent silence
Broken by the chocolate New York lift voice
‘You are down in the deep, the underground
Down where the deep is down with deeper down.’
The elevator doors opened –
Like the curtains of the Apollo in Harlem.
The doors opened
Like the opening arms of a southern preacher.
The doors opened
Like the ebonised arms of the Ethiopian running through the winning tape.
The doors opened
And a congregation of light stretched out
Out into the room, the hall, the aerodrome.
Crept out and it poured out and it swept out and light-leapt out,
Over a sea of gold-toothed bandana-wrapped tattooed Nike-wearing
Caterpillar-booted hip-hop-jumping head-wrapped head-shorn
Head-locked swaying Gucci-strapped Armani jean-wearing