Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Littered with mounds. Rise, Spirits, rise. Uncoil. Break the soil –
The bread of the dead, the salt of the earth. Rise
And flow like mercurial contours on a midnight sky. Cry.
Till the tears solidify. Fly, Spirits, till you become a song.
Eye to eye. Right to wrong. Untie pain. Dance again
Till juices jive down your scarred backbones.
This is the other world – live – and yet home.
This sound electrifies, soars on the edge of the head.
Waken the dead and tell them it’s here – ‘it’s here’,
For duppies to wind and spirits to near home – at last.
To brutify, then purify, then reunify the past.
Rise, Malcolm, the Jews, the blues and the Soledad brothers.
Shout. Bleed. Breathe. Heal. Shout. Breathe. Heal. Bleed.
I swear I saw another slave freed, its soul freed, it gather speed,
Pushing me over the edge of the ledge, dredging the graveyards,
The Spirits – Charlie’s playing cards on the tomb, a dead man’s womb.
Don’t you get it. It’s genetic. A musical hallucinogenic. Insane –
The music of love through the instruments of pain,
Shooting from the lip, from the tip of the tongues of the wronged.
Hang on, hang on with your finger tips. Pray you don’t slip,
’Cause we climbing the timing, the landscape of mine.
Turn this poem sideways, it’s like a New York skyline,
A state of mind.
And through to the solo light. Right. Solo.
How does it go? It glides like an eagle inches from the waves,
With a rush that sounds like caves should sound like.
It rips through all mind-binds, breaks all seals, tears all seems – seams,
Chilled as fresh-iced screams, angry as sweated dreams.
It bites like a baby, kicks like a dog, slicker than a card trick.
Demons spit and twist as spirits hit notes high (ha!) and snare.
This is where contrasts explode and it’s natural to find
Sharpness next to curves, next to shadows, next to verve,
And new definitions of time. It is the blood of the vein.
The music of love through the instruments of pain.
Hot cold shy bold rock rolled blue soul. Rise!
Makes an old man young, a young girl old. Rise!
It’s a slick wild blast, cast from chains of slaves.
I found my jazz. Rise. I found my jazz. Rise.
I found my jazz and was saved.
Rise, Spirits.
Invisible Kisses
Invisible Kisses
If there was ever one
Whom when you were sleeping
Would wipe your tears
When in dreams you were weeping;
Who would offer you time
When others demand;
Whose love lay more infinite
Than grains of sand.
If there was ever one
To whom you could cry;
Who would gather each tear
And blow it dry;
Who would offer help
On the mountains of time;
Who would stop to let each sunset
Soothe the jaded mind.
If there was ever one
To whom when you run
Will push back the clouds