Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
We’re as bad as the rest, we’re racist too.
It comes in a packet, doesn’t cause no pain,
You buy it in toilets, no guilt and no shame.
The councillor says it’s the product of the day,
There’s money in it, and you don’t have to pay.
It’s taken us so long, you get there so fast,
Getting jobs to stop harassment while we get harassed.
Thanks for inviting me to dinner, I think I’m getting fat.
Instant Consciousness – I’d love some more of that.
Airmail to a Dictionary
Airmail to a Dictionary
Black is . . . the shawl of the night,
Secure from sharp paranoiac light.
Black is . . . the pupil of the eye,
Putting colour in the sea’s skin and earthen sky.
Black is . . . the oil of the engine,
On which this whole world is depending.
Black is . . . light years of space,
Holding on its little finger this human race.
Black is . . . the colour of ink,
That makes the history books we print.
Black is . . . the army. Wars in the night,
Putting on the Black to hide the white.
Black is . . . the colour of coal,
Giving work to the miners, warmth to the old.
Black is . . . the shade of the tree,
Sharp in definition against inequality.
Black is . . . the eclipse of the sun,
Displaying its power to every one.
Black is . . . the ink from a history,
That shall redefine the dictionary.
Black on Black is Black is Black is,
Strong as asphalt and tarmac is.
Black is . . . a word that I love to see,
Black is that, yeah, black is me.
The Customs Men
The Customs Men
Breaking out from the plane,
Home’s mouth lays wide open
From the white oesophagus corridors,
Guarded by the English custom of suspicion.
And to prove my situation
I have written this, so that
When they have fingered their
Dirty hands through my clothes,
Mauled my enjoyable flight
With personal questions,
Pricked a little for reaction,
And arrived at my book, I will point them to this poem
Simply to tell them
That I get job satisfaction, in the end,
And they will get nothing but tobacco beneath their nails.
Mind-Walking
Mind-Walking
1
A stray sunshot caught
His heart.
As a child
He spent time
Melting,
Dripping,
Like a fallen lolly on a kerb
In summer.
As a child
He teased questions from his
Black-topped brain,
Like he’d
Lick the bowl when his mother left
The kitchen.
There was always one ultimate question
That arose
While building
Mud pies,
Or staring at cobwebs in hedges.
Only as the full line itched his tongue,
As it had unravelled from his thoughts like a red carpet,
Only when the gravity of his question became its heaviest,
Unbearable almost,
Would he race home and
Stand with the urgency
Of a young boy desperate for a pee.
‘Mum, Mum.’
Who was doing the same thing as he
But in the kitchen,
‘If the earth is