Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
So you are bathed in sun;
Who would open arms
If you would fall;
Who would show you everything
If you lost it all.
If there was ever one
Who when you achieve
Was there before the dream
And even then believed;
Who would clear the air
When it’s full of loss;
Who would count love
Before the cost.
If there was ever one
Who when you are cold
Will summon warm air
For your hands to hold;
Who would make peace
In pouring pain,
Make laughter fall
In falling rain.
If there was ever one
Who can offer you this and more;
Who in keyless rooms
Can open doors;
Who in open doors
Can see open fields
And in open fields
See harvests yield.
Then see only my face
In the reflection of these tides
Through the clear water
Beyond the river side.
All I can send is love,
In all that this is
A poem and a necklace
Of invisible kisses.
Slipping
Slipping
You
Are
Slipping
Away.
Don’t
Go if you want to.
See if I need you.
You
Are
Slipping
Away.
Don’t
Leave if you want to.
See if I miss you.
You
Are
Slipping
Away.
Don’t
Call if you want to.
See if I miss you.
Slipping
Slipping
Don’t
Wave if you want to.
See if I care, for you
Are
Slipping
Slipping
Slipping
Away.
Murdering Bill
Murdering Bill
With less than the pressure
Of a downpressing butterfly wing in a feather field –
The opening of an eyelid would make more noise –
He opened the letterbox so slowly that it was
As unsuspecting as a passing yawn in the morning.
A smooth criminal face tattooed with blue ink
With my name peers. This Royal Male,
The silent secret stalker, crouched delicately
Outside the front door – eyes filled the letterbox
Like two greedy gulping goldfish in a tank.
He drinks in the shadows of the sleeping hall
And becoming almost liquidite
Squeezes savagely through the letterbox
Arms first, head stretched, ears cut.
Now he has the eyes and the body of a lizard
The strain written in blue veins on his face
He pulls through the legs and he is in.
A lizard. He waits for breath to calm and becomes
Cold and camouflaged. Digging his elbows into carpet
He slides into the front room where I am
Enveloped in the Saturday paper. Turn a page,
This is my affidavit, this is what happened.
I saw him. I read the look in his eyes and he read mine.
He laughed at me. Stood on his hind legs and spat at me.
His tongue slipping from his mouth like a serrated ribbon,
There he is lying in the centre of my front room.
Slumped from my clammy clumsy hands,
Back to the floor limp, his head and legs bent.
I’ve been here transfixed since. Staring at him.
Waiting for him to die – but he breathes, he breathes.