Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
I let the sun pour into my eyes and finally after years I let go. Why?
Because I was growing. I was growing wings all the time. And I can fly.
From Listener (2008)
LISTENER
Let There Be Peace
Let There Be Peace
Let there be peace,
So frowns fly away like albatross
And skeletons foxtrot from cupboards;
So war correspondents become travel show presenters
And magpies bring back lost property,
Children, engagement rings, broken things.
Let there be peace,
So storms can go out to sea to be
Angry and return to me calm;
So the broken can rise and dance in the hospitals.
Let the aged Ethiopian man in the grey block of flats
Peer through his window and see Addis before him,
So his thrilled outstretched arms become frames
For his dreams.
Let there be peace.
Let tears evaporate to form clouds, cleanse themselves,
And fall into reservoirs of drinking water.
Let harsh memories burst into fireworks that melt
In the dark pupils of a child’s eyes
And disappear like shoals of darting silver fish.
And let the waves reach the shore with a
Shhhhhhhhhh shhhhhhhhhh shhhhhhhhhh.
Rain
Rain
The Actor’s Voice
The Actor’s Voice
This is a celebration of sound,
Of words said after the phone’s put down,
After the door’s shut at the editor’s cut –
Of thoughts held after the word ‘but . . . ’
This is the sound. The actor’s sound.
Of inflections after the flick of ash,
Before the crash, before the whiplash;
Of thoughts collecting before they arrive,
Of the deep breath before the dive.
This is the sound,
Of tender fingers in a clenched fist,
Of the wind carrying an invisible kiss,
Of a secret unfolding wish,
Before the candle blows like a lisp.
This is a celebration of sound,
Of words said after the phone’s put down,
After the door’s shut at the editor’s cut –
Of thoughts said after the word ‘but . . . ’
Thoughts caught between the lines –
The reading sounds of needing minds.
This is the sound of beneath the laugh,
Beneath the draft, beneath the craft –
The space between the paragraphs.
The pause between the polygraph,
The actor acting out of her skin,
The sound of shedding sins.
The sound of spirit, the sound of soul,
The sound of heat, the sound of old
Dreams fading, reawakening time;
Of hope breaking the mould of mind,
Of the beat before the hands clap,
The click, the clack, the trip, the trap;
The sound before a dropping latch,
The sound of looking back – the 22nd catch.
This is a celebration of sound,
Words said after the phone’s put down,
After the door’s shut at the editor’s cut –
Thoughts held after the word ‘but . . .’;
This is the sound before death;
In the beginning it wasn’t the word,
It was breath.
Patterns
Patterns
| 2. | Have |
| 7. | Have |
| 10. | Innocence |
| 5. | Pattern |
| 8. | Lost |
| 1. | You |
| 4. | A |
| 9. | Your |
| 3. | Found |
| 6. | You |
Laying the Table
Laying the Table