Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
The pain I withstand for I have a dream.
Know who you are, know the ground on which you stand.
Never build your house on a bed of sand.
Going Places
Going Places
Another
Cigarette ash,
Television serial-filled,
Advert-analysing,
Cupboard-starving,
Front room-filling,
Tea-slurping,
Mind-chewing,
Brain-burping,
Carpet-picking,
Pots-watching,
Room-gleaning,
Toilet-flushing
Night,
With nothing to do.
I think I’ll paint roads
On my front room walls
To convince myself
That I’m going places.
Gil Scott-Heron
Gil Scott-Heron
Gil Scott-Heron shines
In tightly cut rhythmic rhymes.
The Harlem hero strikes again,
Jazz in the house, milk the pain.
From politics in poetics,
The symbols in the lyrics
Shut in the drum ripple in the skin
While the bass dives deep and digs in.
Gil Scott-Heron shines
In tightly cut rhythmic rhymes.
The Washington wonder strikes again,
Jazz in the house, milk the pain.
And Brian Jackson in zoot suit
Places into the root the sweet flute,
Black and in Britain we know what Scott means
When he documents the siege of New Orleans,
With subtlety in vibes and lyrics giving clues,
The man talks in colours in the inner city blues,
Explained how television would not be revolutionised
And how the revolution would not be televised.
This panther is black, catch its silhouette,
Cutting a shadow to outline the debt.
Martin Luther King and a cut of Malcolm X
Wrapped in the musical strength of the Amnesia Express.
Gil Scott-Heron shines
In tightly cut rhythmic lines.
Another black hero strikes again,
Jazz in the house, milk the pain.
Godsell
Godsell
You knock upon my door
And open.
I drink to you.
This is a bad trip,
Something about Armageddon
And pigs possessed by devils
Flinging themselves from cliffs.
Look back into my house and I may turn to salt.
Blackened horizons itch with locusts,
Whole pieces of earth slump
Swallowed by the devil’s breath;
Yea, as I walk through the valley of death
With Lucifer in the crick of my back,
An avalanche of commands befalls me,
And I whimper from the cross and catapult
In the child’s hand,
Clutching a lock of my own hair,
Feeling the heat of a burning bush
Singe the back of my neck.
Three score and ten years of this;
Look back into my house and I may turn to salt.
Where is the chariot of fire?
Where is the chariot of fire?
I, one piece of thirty pieces of silver,
A possessed pig, laugh at the cliff’s edge,
Snort and fling myself to the rocks.
When I meet Peter
I shall bribe him,
As I have been bribed.
Flushed
Flushed
Why
Can’t
Heads
Have
Overflow pipes
Like toilets?
If
They
Did
I
Could
Pull
My
Ear
And
Flush
It
All
Out.
I Hate You
I Hate You
You’re as popular as a posted
Birthday gift to someone who’s just died.
I once said you weren’t that bad,
I lied.
You’re a conversation number,