Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
As many times as I twist his damned throat he breathes.
Immigration R.S.V.P.
Immigration R.S.V.P.
The lemons you suck are from Spain,
And the orange you drink’s from South Africa.
Shoes you wear are made in Pakistan,
And your oil is from Saudi Arabia.
You import your petrol from the Gulf States,
And your toys are made in Taiwan.
Your coffee they send from Colombia,
And your cars are driven from Japan.
You’ve flooded yourself with foreign good,
But foreigners you tell me are bad.
You say you’re afraid that they’ll overrun you,
But I’m afraid they already have.
Fair
Fair
I’ll rein in then chain you in.
I’ll slit, whip and rip into you,
Till all the cold as nitric acid resentment
Pours out of my black chest
Onto your purpled, curdled and blistered back.
I’ll whip you till you howl and crawl and cry.
I’ll pour salt in your mouth, rub shit in your eyes,
Pour vinegar into the canals of your ears.
I’ll verify all your superficial fears
I’ll wrench each finger from each joint
Till you get my point. Get it. Get my point!
I’ll drag you by the roots of your hair –
Make you wish you were no one from nowhere.
Show you what it’s like on the other side;
Show you what it’s like on the far side.
My knuckle-dusted fists will rein down,
Busting veins will curse,
Blow after bitter blow.
I’ll ask you how it feels,
I’m doing a thesis, I’d really like to know.
I’ll cut you a thousand times
While repeating the line,
‘Yes, I know, your blood is red like mine.’
I’ll rip out your wife’s fallopian tubes
’Cause there’s already too many of you.
I’ll make you drink your own hiss,
I’ll make you listen to this,
One, two, three thousand times and more,
Show you what it’s like to know the score.
I’ll sell drugs to your children,
Burn down your home,
Make you a stranger to your own.
And what’s more,
The moment you run on fire,
Through this poem, for the door,
Gasping for air and some sense of pride,
The same damned experience
Will be waiting for you outside.
I haven’t finished . . .
When it dawns that this scorning
Is sworn in and government-approved,
When the pattern starts to emerge,
And you’re on the verge of enlightenment or madness,
Immersed in the quiet violence of the day-to-day laws,
When you notice the holder of the mirror has claws
And the reflection provided is disfigured and displaced,
When your tongue splits on the bitter taste,
When your head implodes,
Because the text between the lines
Is so suffocating that you’ve started reading minds,
When all this is said and done and said and done,