Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
Men with guns on the horizon far behind you,
The past tense threatening your presence.
I hear a concert of AK47s click, as thousands
Reload. The heat is tremendous – you have a radio.
But the sound of sand lifting from the ground
In the grip of the wind disturbs – you understand what is happening,
Not through sight but through the sounds.
I could almost hear you, your breathing
As you gave birth again, and another sister
Opened her eyes. Her wet face of sand.
In the drawing of this drama, the mist of mystery
Rising above the airwaves and heatwaves,
We have scattered around the world.
Revolutions between us. Implosions of conscience.
Corrupting earthquakes have split our family – between us
Swallows migrate above the Atlantic Ocean,
Pixellating the sky on tidal waves of heat
With such damnable ease.
And amongst the purple rain and stormy airwaves
Radio waves like flocks of swallows or the flamingos of
Lake Tana
That seem to fly out from the reflecting solar wind
Land upon both of us with feather-wing ease,
Bringing my world to yours and your world to mine.
And now that we meet,
The sand storm lays low.
Like a pride of lions
After the chase,
The sun rises, its golden mane shakes.
You tell me, ‘I heard a poem on the World Service,’
And finally, face to face, get to tell you
It was me
Tuning in through the hissing noise
To you tuning in to me.
Ricochet
Ricochet
A man shot a man who was a father,
The son of the dead father shot the father of the other son
Who was the man who had shot the first father.
Then I was born – I was told it didn’t matter,
’Cause time had passed.
But my uncle who was holding the pain
Of his dead brother – who was my father –
Said he couldn’t forgive because every year,
Every minute of every day, he loved his brother,
And consequently there was a score to settle.
I am living here because there was a revolution,
And some say this was why the man killed the father in
The first place – our family lost our property.
But I can go back – I am a man now.
The son of the neighbour who was the original killer
Was living in our house at home, said that he owned it now.
My uncle travelled back, to our homeland, but no longer,
No longer felt at home in his own homeland. He took a gun,
Which was owned by an old friend of the counter-revolution,
And shot himself. And the neighbour who was the son of
The man who I was told was a killer told me, at his funeral,
That his dad hadn’t shot first – that my dad had.
I shall be totally honest with you
And mean all that I say. Delete Undo.
Without you I am incomplete,
Less of the man I know I am. Delete.