Chapters (148)
- Cover
- Title page
- Dedication
- Introduction
- From Perceptions of the Pen (1985)
- Well ‘I’
- Mother
- Ain’t No
- Scream
- So Near and yet So Near
- As Is Life
- From Tender Fingers in a Clenched Fist (1988)
- African Metaphor
- Listening
- Nursery Rhyme
- Some Quotes from Neatherton Man found in Deepest England Somewhere between 1974 and 1980
- Negotiations
- Englabetween
- What Have We Got
- Moods of Rain
- Wasita
- Sing a Song of Sick Penance
- The Black Writers’ Workshop
- Understanding Difference
- The Day Will Come
- The Invasion of the Mancunoids
- The Red Death of Edgar Allan Poe
- Trying Me
- Dead Wood Poetry
- Fell Off and Fell Out
- Bad Trip – L.S.D.
- Burn My Book (Burn In Illusion)
- Tense Tattered Tortured Tried Tested and Torn
- Mother Thatcher
- Today Will Pass
- Spell Bound
- Gold from the Stone
- Everything Is Rhythmical
- Sleep Is a Songbird
- Director’s Notes (For the Daily Shun and Daily Killer)
- She Read as She Cradled
- City Sigh
- Spell Me Freedom
- Interim and Cost
- Ace Under My Sleeve
- Traces
- The Show Goes On
- From Rebel without Applause (1992)
- Bearing Witness
- Remember How We Forgot
- Fingerprints
- Occupations
- Boiling Up
- Instant Consciousness
- Airmail to a Dictionary
- The Customs Men
- Mind-Walking
- For My Headstone
- Love Poem
- Flowers in the Kitchen
- Suitcases and Muddy Parks
- The Nest
- Pass It On
- Going Places
- Gil Scott-Heron
- Godsell
- Flushed
- I Hate You
- Professional Black
- Pretoria Pit
- Uncle Tom and the 1990s
- Clear as Day Storms
- My Brother
- Children and Company
- Writer’s Blockocks
- The Black Moon
- Brinkley Park
- Rage
- From Morning Breaks in the Elevator (1999)
- The Waitress and the Nights of the Round Table
- Colour Blind
- Charlie’s Playing Blackjack
- Invisible Kisses
- Slipping
- Murdering Bill
- Immigration R.S.V.P.
- Fair
- The Repossession: Lot 67
- Baptism in Mire
- Controlled Explosions
- Children’s Home
- Walking in Circles
- My Dad Is a Pilot
- Guilt
- Sandwich Love
- The Elevator
- A Flock of Sound
- The Graduate and Her Secret Thesis
- The Bruise
- Quiet Places
- Mourning Breaks
- From Listener (2008)
- Let There Be Peace
- Rain
- The Actor’s Voice
- Patterns
- Laying the Table
- Perfect
- Gambian Holiday Maker
- Listener
- Ricochet
- Elephant in the Room
- Architecture
- Moving Mountains
- Manchester Piccadilly
- Some Things I Like
- The Lost Key
- **** This
- Magpie
- Before We Get Into This
- Advice for the Living
- The Battle of Adwa, 1896
- The Gilt of Cain
- Applecart Art
- I Will Not Speak Ill of the Dead
- Transistor
- This Train (Sing Along)
- Spring: Mayday Mayday
- Barley Field
- The Boxer
- Torch
- New Poems
- What If
- Whale Translation
- The Spark Catchers
- Shipping Good
- Open Up
- Night Mails
- Lock and Quay
- Listening Post
- Fallen
- Belong
- Rest
- Adventure Flight
- Endnotes
- Index of Titles
- Index of First Lines
For breakfast
A bowl of coonflakes.
For tea
Coon on the cob.
Wipe off the coondensation.
Paki.
You’re all right, but the other niggers . . .
Wog. Stay at home.
Nigger, wog, nigger.
Stab a nigger.
Rubber lips.
Splatted noses.
You can’t give a black eye
To a black bastard.
Jungle bunny, go home.
Black girls are prostitutes.
Pakis smell of shit.
Get a wash, Paki.
NF. Wogs go home.
BNP. Give them a whitewash.
All good cricketers,
All fast runners.
It’s because they run through the jungle.
As thin as an Ethiopian,
Poor as a Cambodian.
Kunta.
Your name is Toby.
Pink tongues, bright pink.
They’ve got white hands.
Big Black ugly nigger feet.
Tell us the one about the sambo.
Haven’t I seen you on a jam jar?
Light his hair, it won’t hurt his head.
Throw stones at his hair, it won’t hurt.
Wipe fingers on coon’s face.
Does it come off?
It’s stuck on.
They take our jobs,
They take our women,
Send them home.
Wogs, go home.
Coons, go home.
Negotiations
Negotiations
For the radical faction to change the constitution
They should take their allegations to the institution.
So we took our allegations with a big bag of patience
Before we even met we felt the pain of prejudgement.
So we set up a meeting and gave the standard greeting
And if vibes could harm us we’d have got a good beating.
But the minutes were restricted and the picture they depicted
Was nothing but a smutter of the things we had presented.
But onward we went with constructive intention,
Keeping our strengths from personal friction.
But keeping the prevention of personal pretension
Was keeping construction in total detention,
Resulting in destruction and bad vibrations.
And a cut in the bag that was holding the patience,
And a cut in the bag that was holding the patience,
And a cut in the bag that was holding the patience.
Englabetween
Englabetween
Between the empty cans and dustbin lids,
Between the eyes of cats and tramps,
Incubated drunks mumbling incomprehensible bids,
Crashed out under yellow water lamps.
This is England, I said, on a soap box in the street.
What Have We Got
What Have We Got
We’ve got a mountain on the horizon,
A sun on the floor,
The sea in the sky,
And the devil behind the door.
We’ve got a desert in a lake,
Islands in the city.
We’ve got the moon which is a fake,
And a bomb which is a pity.
We’ve got the stars when it’s light,
Silence when it’s not.
We’ve got friends, but they fight,
And what have we got?
We’ve got brother in the sky,
Sister in the sun.
Everybody’s getting high
Yet no one’s having fun.
We’ve got the rainfall,
We’ve got the snow.
Our sisters and brothers we call
And what do we know?