Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Angus Lordie noticed that there was a book lying open behind the counter. Big Lou was a voracious reader and, having bought the remaining stock of the bookshop that had previously occupied the coffee shop premises, she was slowly working her way through every volume. She had started with philosophy, with Hume, whom she had read with pleasure and a feeling of growing agreement. From there she had moved on to topography – The Glens of Aberdeenshire – and social history – Iain Thornber’s edition of Morvern: A Highland Parish – and now, it appeared, had arrived at memoirs. Ten Years with the Pygmies of Ruanda-Urundi, he read, upside down.
‘Interesting,’ said Angus. ‘Pygmies?’
Big Lou glanced at the book as she finished preparing Matthew’s coffee. ‘Aye,’ she said. ‘Pygmies.’
19. The Question of Cosmetic Surgery
‘Are we allowed to call them pygmies these days?’ asked Angus. ‘Or are they something else? Forest people?’
Big Lou glared at him. ‘If they’re called forest people now,’ she said, ‘it must be for a good reason.’
‘Political correctness,’ said Angus. ‘That’s the reason.’
Big Lou made a dismissive sound. Attacks on political correctness, in her view, were often made by those who had never suffered insult or known what it was like to be at the bottom of the heap. Not that she approved of the wilder excesses of the movement – the Stalinist prohibitions on simple human expression and feelings – but she applauded the increased sensitivity that had grown around the vulnerabilities of others. She was pleased that people were no longer left out because they were different; or made to think the less of themselves because of what they were. She fixed Angus with a stare. ‘Maybe they had good reason not to want to be called pygmies,’ she said. ‘You’ve never had to worry about that sort of thing, have you? You don’t know what it’s like to be called something belittling.’
‘But they are little,’ said Angus, looking to Matthew for support. ‘You don’t belittle the little by calling them little. What should we call them? Big?’
Big Lou shot Matthew a discouraging glance. ‘They’re not little in their own eyes. Not as far as they’re concerned.’
‘Does it matter?’ asked Matthew. ‘Does it really matter whether you’re short, like a pyg … like a forest person, or whether you’re tall? Does it matter?’
‘No,’ said Big Lou. ‘It doesn’t.’ She passed Angus his cup of coffee and looked at him challengingly.
‘Actually, Lou,’ said Angus, taking the coffee over to Matthew’s table. ‘Actually it matters quite a lot to some people. We had a very short man in the Scottish Arts Club once, and it made him very unhappy. If he had been granted one wish – one wish – I know what it would have been. To be taller. Poor chap. He used to paint pictures of very tall people. All his figurative studies were of tall people.’