Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Domenica nodded. For centuries Italy had provided balm for the troubled spirit. Even a small dose of Italy – a week or so – helped. And, as she contemplated this, she remembered that she had been invited to Italy by her neighbour, Antonia, who had been offered the loan of a villa in the Sienese hills. At the time, she had not paid much attention to the invitation, which had been a vague one, but now it seemed to her to be the perfect solution to her disquiet. And one never knew what minor research project might suggest itself as one sipped cappuccino in a piazza café. Peer group relationships among visitors to Italian art cities? A Room with a View! One might even get such accommodation; one never knew.
9. The Grosseto Road
It seemed to be a perfect plan. A couple of weeks in Italy – perhaps even a month – would be just the tonic that Domenica required. What could be better, she asked herself, than slipping into the routine of the Italian villa life in summer? A leisurely, late breakfast on the patio would be followed by a walk into the nearby village. There she would drink a lingering cup of coffee in the piazza, followed by the purchase of a few necessities for lunch: olives, prosciutto, a lump of pecorino, crisp rolls. Then back to the villa for a late morning read of the paper or some slow-moving summer novel, followed by lunch itself, and then a siesta through the heat of the early afternoon. By which time she would be ready for another walk, breathing in deeply the country air, with its tang of white dust and lavender and complex spices; oh, bliss, and bliss again.
Antonia had not given many details of the villa when she issued the invitation. All she said was that it belonged to a distant cousin of hers, a woman who lived in London and had inherited it from her mother, a noted art historian of the 1950s who had known Berenson, she said, and Pope-Hennessy, and ‘all the others’. At this, Antonia had waved a hand airily, as if to encompass a host of art historians, milling about vaguely, attributing here and there, passing on vaguely scandalous stories about one another over agreeable lunches in the hills above Florence.
The villa, she said, was called the Villa Oregano, and was halfway between Montalcino and Sant’Angelo in Colle, on the Grosseto Road. Antonia spoke as if Domenica should know the Grosseto Road, as one might be expected to know Lothian Road, or Princes Street, perhaps. This was a habit she had which mildly irritated Domenica. She would suddenly mention one of her obscure, undoubtedly non-existent Scottish saints, as if Domenica should be as familiar with him as she was with rather more historical figures of Scottish history, such as James VI or John Maclean.
‘The Grosseto Road?’
Antonia nodded. ‘Yes. You know how it runs from Montalcino down to Grosseto?’