Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
‘But that fundamental bit is very small, don’t you think?’ asked Angus. ‘I can’t stop being a man, can I? But I can become a very different sort of man.’
‘Yes,’ said Domenica. ‘You could. Of course, some men do stop being men, don’t they? If one undergoes sex reassignment and takes on a female identity – surgery, the lot – then you stop being a man.’
She looked at Angus. It was difficult, if not impossible, to imagine him as a woman. It was difficult, in fact, to imagine any of the men of her acquaintance as women. And yet some men did want to become women and tried so hard, and some women wanted to be men and made a similar effort. It was not easy to empathise, but one had to. Imagine waking up every morning and feeling that there was something fundamentally wrong with the way things were; it would be insupportable. And yet, did ordinary human empathy require people in general to believe things that simply were not true? Some aspirations were unrealistic. The middle-aged may wish to be seen as young, but did that mean that people should treat them as youthful simply because that was what they wanted? Did courtesy and consideration for the feelings of others go that far?
‘But do you ever stop being a man?’ asked Angus. ‘Or are you a woman on the outside and a man inside?’
‘Some would say those are merely social labels,’ said Domenica.
‘And Cyril might say that being a dog is merely a social label,’ Angus retorted.
Cyril did not say that, of course. He was listening to this conversation, but there had only been one word so far that he had recognised – which was Cyril. He was not sure what that word meant – it was different from walk, which he understood very well. The word Cyril meant, in his mind, that something was going to happen. It was a verb. He had no idea that it was him, that he was an object.
He waited for some further sign, but none came. So he lowered his head and went to sleep. Before he dropped off, pictures came to him, and scents too. He saw a field, and a path. He saw a ball in the air, describing an arc across the sky. He smelled something rich and exciting; rabbits, perhaps. He saw a face peering at him. He saw water at the edge of sand. He heard verbs.
47. The Symbolism of Birds
The conversation that Angus had with Domenica over personal identity was just one of the many exchanges they had on such topics. He did not have such conversations with anybody else – not with Matthew, with whom he spoke about day-to-day things, although they did discuss art from time to time; nor did he have them with Big Lou, to whom and with whom he tended to listen, rather than engage in conversation. Domenica was different; she made him think.