Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
He told her, sobbing as he spoke, feeling the burden of his secrecy ebb away as the truth was laid bare. ‘I’ve made a terrible mistake with Moray Place,’ he said. ‘They took a supporting wall away and the whole thing’s being held up by a Chinese cabinet. And the gallery; that girl, Kirsty – Pat says that I can’t get rid of her because she’ll do something terrible to me and I saw her looking at a Vuillard in a catalogue and I think that she’s going to buy it behind my back and then we’ll have to pay because she’ll have bought it on the gallery’s behalf and what if the money … And she’s got these really tight jeans which she wears deliberately and she makes women drag their husbands away without looking at the paintings and Big Lou says …’
‘Hush. Hush. My darling, this is all nonsense. Just nonsense.’
‘It’s not,’ wailed Matthew. ‘Bruce said that if we moved that cabinet then all of Moray Place will fall down and Pat said …’
Elspeth put her hand against his brow, just as she had done as a teacher when one of the six-year-olds had become hysterical. ‘Calm down,’ she said. ‘Just calm down. You’re under strain because of the move. That’s normal. Everybody finds a move stressful. I’ll sort out this Chinese cabinet business.’
Matthew was suddenly alarmed. ‘Don’t touch it!’ he said. ‘If you move it, then the ceiling—’
‘I’ll sort it out,’ said Elspeth. ‘Don’t worry. Nothing’s going to fall down. And as for Kirsty, I’ll sort her out too. She’s a student – she’ll get another job easily enough, and it’s not as if it’s her livelihood. I’ll get rid of her today.’
She brooked no argument. ‘You stay in bed,’ she said, rising to her feet. ‘You get some more sleep – you obviously didn’t sleep very well last night. I shall go along to sort things out in Dundas Street. Then I’ll get a decent surveyor along to Moray Place and we’ll sort out this cabinet nonsense. Leave it to me.’
Matthew did not argue, and by the time that Elspeth left the flat after breakfast, he had fallen into a dreamless, untormented sleep. Elspeth looked in on him before she left; he appeared so vulnerable, she thought, so innocent, as men do in sleep. The strongest, the most masculine of men, she thought, can look like a baby when his head is on the pillow and his eyes are closed. It reminded her of human vulnerability; here we are with all our human pretensions, with our mastery of the world about us, with our clever machines and our elaborate conceits, and we are no more than children who must, like the smallest of creatures, surrender to sleep and the powerlessness of oblivion.