Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
As you can imagine, with so many children at the camp we shall require adult helpers. It is for this reason that I am writing to ask you (1) whether you wish your child to attend the camp, and (2) whether you are prepared to come along yourself as a helper for the weekend. If you can see your way to doing that, I am sure that you will have a good time, and I hasten to point out that adult helpers will not be required to sleep under canvas but will be accommodated in the very pleasant bunkhouse rooms which the Association maintains at the Bonaly site.
Bertie let the letter drop to the floor. His hands were shaking. He closed his eyes, in sorrow, in resignation. His mother would want to come as a helper – of course she would.
27. Forgery Exposed
When Bertie returned to the kitchen in response to his mother’s call that supper was ready, he was holding the newly re-sealed envelope in trembling hands. Noticing, with relief, that his father was in the room, already seated at the table, he approached him shyly and handed over the letter.
‘It says this is for my parent or guardian,’ he muttered. ‘I think that’s you, isn’t it, Daddy?’
Irene looked up sharply. ‘And me, Bertie,’ she said. ‘In fact, when a letter is addressed to the parent or guardian, it usually means that it’s for the mummy. Just for future reference.’
Stuart threw her a glance. ‘Not always,’ he said, mildly. ‘Sometimes, perhaps, but not always.’
Irene, who had been stirring a pot of soup, put down her spoon and crossed the room to her husband’s side. Reaching out, she took the still-unopened letter from his hands. Stuart raised an eyebrow, but did nothing.
Bertie watched, his heart sinking. ‘I don’t think it’s important,’ he said quickly. ‘Maybe Daddy can read it later.’ It was all he could say; he knew that there was little point, though, in trying to forfend what now seemed inevitable.
Irene picked up a table knife and slit open the envelope. ‘Now let’s see what this is all about,’ she said.
Bertie sat down at the table. He put his hands about his head, but watched his mother between his fingers. Her expression, he noted, was changing, from one of mild irritation to one of puzzlement. He closed his eyes; he could not bear to see his efforts at forgery so publicly uncovered.
Bertie had changed the terms of the letter. Using the treasured fountain pen that had been sent to him by a distant relative on his last birthday (his sixth), he had carefully changed the text of Akela’s letter by the insertion of a certain number of negatives and by making a number of other subtle changes.