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Chapters (89)
  1. Also by Alexander McCall Smith
  2. COPYRIGHT
  3. Contents
  4. Preface
  5. 1. Nothing But Tenderness
  6. 2. A Very Considerate Husband
  7. 3. At Big Lou’s
  8. 4. Auden and Burns, and Bertie
  9. 5. Pre-Natal Classroom – for Babies
  10. 6. The Ways of Ulysses
  11. 7. Anthropological Issues
  12. 8. Domenica Has Coffee With Dilly
  13. 9. The Grosseto Road
  14. 10. The Return of Pat Macgregor
  15. 11. Pat’s Flat
  16. 12. The Green Hotel
  17. 13. On the 23 Bus
  18. 14. Regurgitation Issues
  19. 15. Edinburgh People
  20. 16. For Love or Money
  21. 17. The News from Arbroath
  22. 18. Ten Years with the Pygmies
  23. 19. The Question of Cosmetic Surgery
  24. 20. The Aphrodite of Dundas Street
  25. 21. Impressionists and Post-Impressionists
  26. 22. More About Baden-Powell
  27. 23. The Insouciance of Tofu
  28. 24. Some Sophisticated Colours
  29. 25. 100 Things for a Boy to Do: Part 1
  30. 26. 100 Things for a Boy to Do: Part 2
  31. 27. Forgery Exposed
  32. 28. A Game of Bridge
  33. 29. Underneath the Lamplight
  34. 30. Trust and Revelation
  35. 31. Pregnancy Plans
  36. 32. Dramatic, Life-Enhancing News
  37. 33. The Implications of Boys
  38. 34. Carnoustie Shortbread
  39. 35. Édouard Vuillard and the Interior Vision
  40. 36. Fear a’ Bhata
  41. 37. Political Crisis
  42. 38. Show and Tell
  43. 39. Which World Am I Living In?
  44. 40. A Moment on Queen Street
  45. 41. Psychotherapeutic Matters
  46. 42. Life and Chance
  47. 43. A Scotsman, His Life and Marriage
  48. 44. A Move to Moray Place
  49. 45. In Moray Place
  50. 46. What We Really Are
  51. 47. The Symbolism of Birds
  52. 48. The Breaking of the Heart
  53. 49. Chinoiserie
  54. 50. Matthew is Decisive
  55. 51. A Letter of Comfort
  56. 52. The Meaning of Always
  57. 53. An Offer is Made
  58. 54. The Therapeutic Hour
  59. 55. Men Can Cry
  60. 56. From Scotland With Love
  61. 57. Bonnie Irene’s Noo Awa
  62. 58. Painful Questions
  63. 59. Regret on Corstorphine Road
  64. 60. The Comfort of Friends
  65. 61. Big Lou on Art and Fashion
  66. 62. Unwelcome Thoughts
  67. 63. Italy At Last
  68. 64. Services to the Republic
  69. 65. The Impact of Italy
  70. 66. Pacta Sunt Servanda
  71. 67. An Outing Begins
  72. 68. The Need for Evidence
  73. 69. On Subsidence
  74. 70. Supporting Walls
  75. 71. Arrival at the Villa
  76. 72. Mistah Kurtz, He Dead
  77. 73. The Possibilities of Florence
  78. 74. In Proper Boots
  79. 75. The Haar Rolls In
  80. 76. A Real Boy’s Room
  81. 77. Bertie’s Dream
  82. 78. An Incident in a Café
  83. 79. Unbearable Beauty
  84. 80. Antonia’s Condition Explained
  85. 81. A Terrible Mistake
  86. 82. Shocking Developments
  87. 83. A Hinterland of Regret
  88. 84. Icarus, Cyril, a Ducati
  89. 85. The Timetable of Happiness

After her bath, he would bring her a large towel that he would have specially heated on the towel rail.

‘It really is very kind of you,’ Elspeth said. ‘But I think I can manage. Why don’t you go for a run in Queen Street Gardens?’

The suggestion had been intended to be a helpful one – Matthew liked going for a run in the mornings – but he had taken this badly.

‘But I want to be here to help you,’ he said. ‘Don’t you like what I do for you?’

She had reached out to embrace him, dropping the towel. Matthew shivered with delight. ‘Of course I do, my darling,’ she whispered. ‘Of course I do. You do whatever you like.’

She realised how fortunate she was. Many women had husbands who were not in the least attentive – husbands who never ran their wives’ baths, nor made their breakfast, nor sent roses to the flat during the day, as Matthew often did. She was so lucky, but of course one needed a bit of space in a marriage, and she knew that sooner or later she would have to talk to Matthew about that. The problem, though, was that people often misunderstood a mention of space, and interpreted it as a suggestion to go away.

3. At Big Lou’s

Elspeth need not have worried; of course Matthew understood all about space within a marriage and it was for this reason that he had not suggested that Elspeth help in the gallery. It would be better, he thought, for each of them to have a separate career: ‘I’ve seen too many couples come unstuck because they were working together,’ he said to Angus Lordie. He made this remark without really thinking, and even as he said it he realised that he could not think of a single marriage in which that had happened. On the contrary – all the marriages of that sort that he had seen were rather successful.

‘Or perhaps not,’ he added lamely.

Angus had nodded wisely at Matthew’s original observation, and had not really heard the retraction. He knew very little about this as he had never been sufficiently stuck to become unstuck. It was a mystery to him how anybody lived with anybody else let alone worked with them too, and he could imagine nothing worse than having another person in his studio, painting her own paintings while he worked on his. He found that painting required complete silence – an artistic stillness – and the muse, fickle as she was at the best of times, would surely retreat in a huff if she had to contend with two painters in the same studio.

‘So I’m not going to ask Elspeth to help me in the gallery,’ Matthew went on. ‘I couldn’t bear it if we disagreed.’

‘That girl you had,’ said Angus. ‘Pat Macgregor. Did you disagree with her at all?’