Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Angus shifted from foot to foot. He wished that Domenica had been there; she would have been able to deal with this sort of thing from her neighbour. Was Antonia turning peculiar? Was this a normal reaction to Italy – to go on and on about beauty and art and crying? Was she drunk? Some people had very little tolerance for alcohol, and it was possible that even this small glass could have had this effect on Antonia. He looked at his watch.
‘We mustn’t keep Domenica waiting,’ he said. ‘They could be opening the doors shortly.’
Antonia gasped. ‘Opening the doors?’
‘Yes. The Uffizi should open soon.’
She closed her eyes. ‘And we shall be inside too. Just think.’
Angus sighed. ‘Really, Antonia,’ he said, a note of irritation creeping into his voice. ‘You’re making a bit of a meal of it. It’s just a gallery. A very important one, of course, but just a gallery. You wouldn’t go on like this if you were paying a visit to the National Gallery on the Mound, would you? I’m sure you wouldn’t.’
Her reaction to this mild rebuke took him completely by surprise. ‘Oh, Angus,’ she shrieked. ‘Don’t you realise? Don’t you understand what is about to happen? We are about to come face to face with the fons et origo of Beauty itself, laid out before us, and you talk as if it were an entirely quotidian outing to … to Bathgate!’
Angus looked about him. ‘Please, Antonia, please don’t shout. People are looking at us.’
‘As well they might,’ Antonia retorted loudly. ‘They are looking and thinking: what a complete philistine that man is! What an insensitive brute! That’s what they’re thinking, Angus Lordie!’
79. Unbearable Beauty
‘Listen,’ whispered Angus as he drew Domenica aside. ‘Antonia is behaving very, very strangely.’
It was as much information as he could give without alerting their companion to the fact that she was being discussed. Domenica, though, was quick to sense that something was wrong, and nodded to Angus to confirm that she understood.
‘I don’t think I’ll go off for coffee,’ she announced. ‘I believe that the doors will be thrown open very shortly and this queue will begin to move.’
‘The doors will be opened,’ muttered Antonia. ‘Opened to beauty.’
Domenica and Angus exchanged glances.
‘Now we must agree what we are to do once we get in,’ said Domenica in a matter-of-fact tone. ‘I suggest that we split up and agree to meet somewhere in, say, three hours’ time. That will give us each an opportunity to linger in front of our favourite works of art without holding others up.’
Angus looked nervously at Antonia. ‘A good idea. Is that all right with you, Antonia?’