Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Bertie continued to kick, but then he arrived and proved to be a very good-natured baby. He seldom cried, even if he had a slightly puzzled expression from an early age, his eyes following his mother around the room as if he was in some way wary of her. Irene was thrilled with him; every day was a new challenge in which Bertie could be taught something new – the Italian word for something, or the composer of the opera he was being played, or the name, and Köchel number, of the piece of Mozart to which they were listening.
And then, a short while after Bertie’s sixth birthday, Irene’s second son arrived. Ulysses was not planned; in some respects, in fact, he was extremely unplanned, but once his existence was established, Irene put a brave face on it.
‘Did we mean to get pregnant?’ asked Stuart, mildly. ‘I thought that …’
‘These things happen,’ said Irene briskly.
‘But …’
Irene cut him short. ‘There is one thing we must never do, Stuart,’ she warned. ‘And that is to do so much as breathe a word that this child is unwanted. It is so easy to communicate that to a child inadvertently, even if one actually says nothing – one has to be really, really careful. Capisce?’
‘Si,’ said Stuart. ‘Però …’
‘Allora,’ said Irene. ‘Enough. Silenzio.’
6. The Ways of Ulysses
It was Bertie who first noticed that Ulysses bore a striking resemblance to Dr Hugo Fairbairn, the noted child psychotherapist and author of Shattered to Pieces: Ego Dissolution in a Three-Year-Old Tyrant. Initially he had not been able to make much of Ulysses’s face, and could detect no similarities to anybody, such was the formlessness – fluidity, even – of his brother’s physiognomy. This impression was shared by Tofu. A few days after he had paid a visit to the Pollock flat in Scotland Street and seen Ulysses for the first time, Bertie’s friend had passed him a note in the classroom, saying: Your little brother is really ugly, Bertie, don’t you think? You know what his face reminds me of? A bottom! Bertie had torn the note up and pointedly ignored Tofu for the rest of the lesson. But at the end of the class, Tofu had approached him and asked, ‘Did you read my note, Bertie? Did you?’
‘It was very rude,’ said Bertie. ‘You should never say that anybody else looks like a bottom. It’s rude.’
‘Even if he does?’ asked Tofu.