Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
This exchange had been followed by a discussion as to whether it was better to know or not to know. Elspeth, being practical, felt that it might be useful to be told whether it was a boy or a girl, but Matthew thought it would be better not to know. Elspeth understood; the point that he was making was about the mystery of the whole process. It seemed to her astonishing that new life could be created in this way – it was such an astonishing miracle: all those cells, millions and millions of them, falling into place after a moment of contact between two people. It was a miracle of the most profound nature. And yet, miracle or not, there were ordinary questions that needed to be resolved. The colour of the nursery was one.
Clothing was another. On that subject, Matthew had already commented.
‘If you look at portraits of children in Dutch seventeenth-century art,’ he said, ‘you’ll see that boys wore skirts until they were six or seven. That made things simpler.’
‘But our child, Matthew, is going to be a twenty-first-century Scottish child.’
‘Of course he is. I didn’t mean that we should dress him in skirts. Although that would put him in touch with his inner girl, I suppose.’
They both laughed. ‘What will we call him?’ Matthew went on. ‘If he’s a boy? I’ve always liked the name Dunstaffnage, you know. It’s a place near Oban. But it could also be a boy.’
‘No,’ said Elspeth. ‘It never helps to be named after a geographical feature.’ Some of the Steiner parents might be reminded of that, she thought. Waterfall’s mother, for example. Or Tarn’s father. ‘Let’s choose something simple. Children with simple names are never embarrassed about them. How about Jamie?’
Matthew looked doubtful. ‘Jamie’s fine,’ he said. ‘But if he’s called Jamie he’s going to end up being a particular sort, if you know what I mean. He’ll play rugby, he’ll go to New Town bars after the international matches. Being called Jamie signs you up to an awful lot of Scottish upper-middle-class stuff.’
Elspeth thought that their child, whatever and whoever he was, was signed up to that already, just by being their child. We’re all signed up, she thought. Matthew for what he is, for what his father signed him up for; me for … for motherhood. And that lasts forever. Forever. For the rest of your life, you’re a mother, whatever happens.
32. Dramatic, Life-Enhancing News
Matthew phoned Elspeth shortly after he arrived for work in the gallery. ‘Are you sure you’re all right?’ he asked. ‘You mustn’t overdo things, you know. Not in your condition.’