Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
‘It’s not Bertie’s fault he’s not allowed chocolate,’ said Tofu. ‘It’s his mother. She’s a cow, isn’t she, Bertie?’
Bertie said nothing; Olive glared at Tofu. ‘I doubt if you know what I’m talking about, Tofu,’ she said. ‘You get soya chocolate at home, I suppose. Soya chocolate! Hah!’
Pansy, who had joined the discussion, laughed. ‘Poor Tofu,’ she said.
Tofu fixed his gaze on Olive. ‘You stink,’ he said.
It had not been an edifying discussion, and Bertie put it out of his mind as he reached out and picked two further chocolate bars, more or less at random. Then, following his father, he made his way to the cash desk.
Once back in the car, he laid the chocolate and crisps out on his lap and stared at them. They were real. This was really happening. He was going fishing with his father, and the sun had burst out from behind a bank of cloud, now dispelled, filling the sky, touching all Scotland, and all its hills, it seemed, with gold.
68. The Need for Evidence
Matthew spent little more than an hour in the gallery that morning. It had not been easy: he had been completely taken aback by Pat’s disinclination to enter the door once she had glimpsed Kirsty through the window.
‘But you hardly know her,’ he protested. ‘You said so yourself.’
Pat peered through the glass: she could just make out the figure of Kirsty in the back room. ‘She’s bad news, Matthew. She really is.’
Matthew sighed. ‘You can’t just say things like that. What do you mean, “She’s bad news”?’
‘Just that,’ said Pat. ‘Some people are … bad news. One can’t necessarily say much more than that.’ As she spoke, she thought of Bruce. He was bad news; very bad news, really. But if you had to describe exactly why he was bad news, it would be difficult: somehow one would not get just the right flavour of the numerous ways in which Bruce failed the good news test. It was the same with Kirsty – and yet she was not sure how to explain all this to Matthew.
‘She has a reputation,’ she said.
Matthew looked at her in astonishment. ‘But everybody has a reputation. A reputation can be quite neutral, or even good. You have to have evidence, anyway.’