Chapters (89)
- Also by Alexander McCall Smith
- COPYRIGHT
- Contents
- Preface
- 1. Nothing But Tenderness
- 2. A Very Considerate Husband
- 3. At Big Lou’s
- 4. Auden and Burns, and Bertie
- 5. Pre-Natal Classroom – for Babies
- 6. The Ways of Ulysses
- 7. Anthropological Issues
- 8. Domenica Has Coffee With Dilly
- 9. The Grosseto Road
- 10. The Return of Pat Macgregor
- 11. Pat’s Flat
- 12. The Green Hotel
- 13. On the 23 Bus
- 14. Regurgitation Issues
- 15. Edinburgh People
- 16. For Love or Money
- 17. The News from Arbroath
- 18. Ten Years with the Pygmies
- 19. The Question of Cosmetic Surgery
- 20. The Aphrodite of Dundas Street
- 21. Impressionists and Post-Impressionists
- 22. More About Baden-Powell
- 23. The Insouciance of Tofu
- 24. Some Sophisticated Colours
- 25. 100 Things for a Boy to Do: Part 1
- 26. 100 Things for a Boy to Do: Part 2
- 27. Forgery Exposed
- 28. A Game of Bridge
- 29. Underneath the Lamplight
- 30. Trust and Revelation
- 31. Pregnancy Plans
- 32. Dramatic, Life-Enhancing News
- 33. The Implications of Boys
- 34. Carnoustie Shortbread
- 35. Édouard Vuillard and the Interior Vision
- 36. Fear a’ Bhata
- 37. Political Crisis
- 38. Show and Tell
- 39. Which World Am I Living In?
- 40. A Moment on Queen Street
- 41. Psychotherapeutic Matters
- 42. Life and Chance
- 43. A Scotsman, His Life and Marriage
- 44. A Move to Moray Place
- 45. In Moray Place
- 46. What We Really Are
- 47. The Symbolism of Birds
- 48. The Breaking of the Heart
- 49. Chinoiserie
- 50. Matthew is Decisive
- 51. A Letter of Comfort
- 52. The Meaning of Always
- 53. An Offer is Made
- 54. The Therapeutic Hour
- 55. Men Can Cry
- 56. From Scotland With Love
- 57. Bonnie Irene’s Noo Awa
- 58. Painful Questions
- 59. Regret on Corstorphine Road
- 60. The Comfort of Friends
- 61. Big Lou on Art and Fashion
- 62. Unwelcome Thoughts
- 63. Italy At Last
- 64. Services to the Republic
- 65. The Impact of Italy
- 66. Pacta Sunt Servanda
- 67. An Outing Begins
- 68. The Need for Evidence
- 69. On Subsidence
- 70. Supporting Walls
- 71. Arrival at the Villa
- 72. Mistah Kurtz, He Dead
- 73. The Possibilities of Florence
- 74. In Proper Boots
- 75. The Haar Rolls In
- 76. A Real Boy’s Room
- 77. Bertie’s Dream
- 78. An Incident in a Café
- 79. Unbearable Beauty
- 80. Antonia’s Condition Explained
- 81. A Terrible Mistake
- 82. Shocking Developments
- 83. A Hinterland of Regret
- 84. Icarus, Cyril, a Ducati
- 85. The Timetable of Happiness
Elspeth returned to India Street. Matthew had got out of bed but was still in his dressing gown. He looked at her half expectantly, half guiltily.
‘I’ve just come back from Moray Place,’ she said. ‘You know what the surveyor said?’
Matthew put his hands to his head. ‘I don’t want to hear it,’ he muttered. ‘I don’t want to hear.’
‘Matthew, my darling! He said that it was a very wise purchase! And he moved the Chinese cabinet. Nothing happened, Matthew, nothing!’
It took a moment or two for her words to sink in. When they did, he moved towards her, throwing his arms around her, showering her with kisses. It was a complete transformation; the self-doubting husband she had left that morning was nowhere to be seen; the gentle optimist she had married had returned.
‘And?’ he asked tentatively. ‘The gallery?’
She nodded. ‘Sorted out.’
‘Maturely?’
She hesitated. Was there much difference, she wondered, between the world of Olive and Tofu on the one hand and the adult world on the other? Not really.
‘More or less,’ she said.
83. A Hinterland of Regret
Over the next few days, Domenica and Angus slipped naturally into a daily routine as peaceful and as soporific as the Tuscan countryside itself. Breakfast was taken on the patio at the front of the villa, gazing out over the gently rolling countryside to the little hill town of Sant’ Angelo in Colle in the distance. Sitting over large cups of milky coffee, they discussed the day ahead with all the urgency and anxiety of those who knew that they had nothing to do – that is, with none of either. An outing might be suggested, but not necessarily acted upon – perhaps a run down to the abbey at San’ Antimo or over to Monte Oliveto Maggiore to view the frescoes of Giovanni Bazzi, il Sodoma. ‘Such an unfortunate nickname,’ said Domenica. ‘Like all nicknames, so unkind.’
Angus did not think that true: there were affectionate nicknames, too, but he did not argue; not here in this setting, with the heat beginning to make the hills shimmer and the air fill with the orchestral shriek of insects.
‘I’d also like to see his frescoes in Siena,’ he said. ‘In the Basilica of San Domenico, Domenica.’ He paused. ‘He depicts the life of St Catherine of Siena. Such a tiresome saint, I’m afraid, with all her fasting and constant letter-writing. But she meant well, I suppose. She eventually gave up water – an ultimate sign of piety.’
‘And?’ asked Domenica.
‘That was the end,’ said Angus. ‘Giving up food is one thing, but water’s another, I’m afraid. Her eating disorders made her seem very light, apparently. Her supporters saw her floating above the ground from time to time.’
‘Like St Joseph of Copertino,’ said Domenica. ‘Didn’t he float?’